, which means from the Ponte Vecchio to the Cathedral in one
direction, and from the Ponte alla Carraja to the Grazie in the other.
Outside the wall lay a belt of fields and gardens, in which one or two
monasteries had already sprung up. But Italy at that moment was filled
with religious enthusiasm by the advent of the Friars both great orders
of whom, the Franciscans and the Dominicans, had already established
themselves in the rising commercial city of Florence. Both orders had
acquired sites for monastic buildings in the space outside the walls and
soon began to erect enormous churches. The Dominicans came first, with
Santa Maria Novella, the commencement of which dates from 1278; the
Franciscans were a little later in the field, with Santa Croce, the
first stone not being placed till 1294.
THE CATHEDRAL[30]
BY HIPPOLYTE ADOLPHE TAINE
Desirous of seeing the beginnings of this Renaissance we go from the
Palazzo-Vecchio to the Duomo. Both form the double heart of Florence,
such as it beat in the Middle Ages, the former for politics, and the
latter for religion, and the two so well united that they formed but
one. Nothing can be nobler than the public edict passed in 1294 for the
construction of the national cathedral.
"Whereas, it being of sovereign prudence on the part of a people of high
origin to proceed in its affairs in such a manner that the wisdom no
less than the magnanimity of its proceedings can be recognized in its
outward works, it is ordered that Arnolfo, master architect of our
commune, prepare models or designs for the restoration of Santa Maria
Reparata, with the most exalted and most prodigal magnificence, in order
that the industry and power of men may never create or undertake
anything whatsoever more vast and more beautiful; in accordance with
that which our wisest citizens have declared and counselled in public
session and in secret conclave, to wit, that no hand be laid upon the
works of the commune without the intent of making them to correspond to
the noble soul which is composed of the souls of all its citizens united
in one will."
[FLORENCE: BRIDGE ACROSS THE ARNO
Illustration: Courtesy John C. Winston Co.]
[FLORENCE: THE OLD PALACE
Illustration: Courtesy John C. Winston Co.]
[FLORENCE: THE LOGGIA DI LANZI
Illustration: Courtesy John C. Winston Co.]
[FLORENCE: CLOISTER OF SANTA MARIA NOVELLA
Illustration: Courtesy John C. Winston Co.]
[FLORENCE: CLOISTER OF SAN
|