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it or no, I can say no more than for my own part of it. But pray, who denies the unparalleled villainy of the papists in that bloody massacre? I have enquired, why it was not acted, and heard it was stopt by the interposition of an ambassador, who was willing to save the credit of his country, and not to have the memory of an action so barbarous revived; but that I tempted my friend to alter it, is a notorious whiggism, to save the broader word. The "Sicilian Vespers" I have had plotted by me above these seven years: the story of it I found under borrowed names in Giraldo Cinthio; but the rape in my tragedy of "Amboyna" was so like it, that I forbore the writing. But what had this to do with protestants? For the massacrers and the massacred were all papists. But it is observable, they say, that "though the massacre could not be acted, as it was first written against papists, yet when it was turned upon protestants, it found reception." Now all is come out; the scandal of the story turns at last upon the government: that patronizes popish plays, and forbids protestant[37]. Ours is to be a popish play; why? Because it exposes the villainy of sectaries and rebels. Prove them first to be protestants, and see what you will get by it when you have done. Your party are certainly the men whom the play attacks, and so far I will help you; the designs and actions, represented in the play, are such as you have copied from the League; for though you have wickedness enough, yet you wanted the wit to make a new contrivance. But for shame, while you are carrying on such palpable villainy, do not assume the name of protestants. You will tell us, you are friends to the government, and the king's best subjects; but all the while you are aspersing both it and him. Who shall be judges, whether you are friends or not? The government or you? Have not all rebels always sung the same song? Was ever thief or murderer fool enough to plead guilty? For your love and loyalty to the king, they, who mean him best among you, are no better subjects than Duke Trinculo; they would be content he should be viceroy, so they may be viceroys over him[38]. The next accusation is particular to me,--"that I, the said Bayes, would falsely and feloniously have robbed Nat. Lee of his share in the representation of OEdipus." Now I am culprit; I writ the first and third acts of OEdipus, and drew the scenery of the whole play: whenever I have owned a farther pr
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