FREE BOOKS

Author's List




PREV.   NEXT  
|<   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269  
270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   >>   >|  
ounce is by Congreve; he wrote indeed another poem to celebrate this astonishing book, for, considered as the production of a young lady, it is a miraculous, rather than a human, production. The last lines in this poem we might expect from Congreve in his happier vein, who contrives to preserve his panegyric amidst that caustic wit, with which he keenly touched the age. A POEM IN PRAISE OF THE AUTHOR. I that hate books, such as come daily out By public license to the reading rout, A due religion yet observe to this; And here assert, if any thing's amiss, It can be only the compiler's fault, Who has ill-drest the charming author's thought,-- That was all right: her beauteous looks were join'd To a no less admired excelling mind. But, oh! this glory of frail Nature's dead, As I shall be that write, and you that read.[142] Once, to be out of fashion, I'll conclude With something that may tend to public good; I wish that piety, for which in heaven The fair is placed--to the lawn sleeves were given: Her justice--to the knot of men, whose care From the raised millions is to take their share. W.C. The book claimed all the praise the finest genius could bestow on it. But let us hear the editor.--He tells us, that "It is a vast disadvantage to authors to publish their _private undigested thoughts_, and _first notions hastily set down_, and designed only as materials for a future structure." And he adds, "That the work may not come short of that great and just expectation which the world had of her whilst she was alive, and still has of everything that is the genuine product of her pen, they must be told that this _was written for the most part in haste_, were her _first conceptions_ and overflowings of her luxuriant fancy, noted with _her pencil at spare hours_, or _as she was dressing_, as her [Greek: Parergon] only; and _set down just as they came into her mind_." All this will serve as a memorable example of the cant and mendacity of an editor! and that total absence of critical judgment that could assert such matured reflection, in so exquisite a style, could ever have been "first conceptions, just as they came into the mind of Lady Gethin, as she was dressing." The truth is, that Lady Gethin may have had little concern in all these "Reliquiae Gethinianae." They indeed might well have deli
PREV.   NEXT  
|<   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269  
270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   >>   >|  



Top keywords:

public

 

dressing

 

editor

 

assert

 
conceptions
 

Gethin

 

production

 

Congreve

 
notions
 

hastily


Gethinianae
 
thoughts
 

authors

 

publish

 

private

 

undigested

 

Reliquiae

 

designed

 

structure

 

concern


disadvantage
 

materials

 

future

 

claimed

 

praise

 

finest

 
millions
 
genius
 

memorable

 
bestow

judgment

 

raised

 
overflowings
 

matured

 

mendacity

 
written
 
luxuriant
 

absence

 

pencil

 

critical


reflection

 

Parergon

 

whilst

 
expectation
 

exquisite

 
product
 

genuine

 

fashion

 

AUTHOR

 
PRAISE