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n died out. Then lecturers and special preachers were frequently appointed by corporations or rich private individuals. But these lecturers and preachers were a somewhat independent race who were not very loyal to the parsons and impatient of episcopal control, and proved themselves rather a hindrance than a help. In North Devon[39] and doubtless in many other places the experiment was tried of making use of the parish clerks and raising them to the diaconate. Such a clerk so raised to major orders was Robert Langdon (1584-1625), of Barnstaple, to whose history I shall have occasion to refer again. His successor, Anthony Baker, was also a clerk-deacon. The parish clerk then attained the zenith of his power, dignity, and importance. [Footnote 39: _The Parish Clerks of Barnstaple_, 1500-1900, by Rev. J.F. Chanter (Transactions of the Devonshire Association).] After the disastrous period of the Commonwealth rule he emerges shorn of his learning, his rank, and status. His name remained; his office was recognised by legal enactments and ecclesiastical usage; but in most parishes he was chosen on account of his poverty rather than for his fitness for the post. So long as the church rates remained he received his salary, but when these were abolished it was found difficult in many parishes to provide the funds. Hence as the old race died out, the office was allowed to lapse, and the old clerk's place knows him no more. Possibly it may be the delectable task of some future historian to record the complete revival of the office, which would prove under proper conditions an immense advantage to the Church and a valuable assistance to the parochial clergy. CHAPTER V THE CLERK IN LITERATURE The parish clerk is so notable a character in our ecclesiastical and social life, that he has not escaped the attention of many of our great writers and poets. Some of them have with gentle satire touched upon his idiosyncrasies and peculiarities; others have recorded his many virtues, his zeal and faithfulness. Shakespeare alludes to him in his play of _Richard II_, in the fourth act, when he makes the monarch face his rebellious nobles, reproaching them for their faithlessness, and saying: "God save the King! will no man say Amen? Am I both priest and clerk? Well then, Amen. God save the King! although I be not he; And yet, Amen, if Heaven do think him me." An old ballad, _King Cophetua and the Beggar-Ma
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