de of the common comprehension, and also a
sweet depravity of ear for unexpected falls of phrase, and of eye for the
less observed depths of colours, which although new was a sort of sequel to
the education I had chosen, and a continuance of it in foreign, but not
wholly unfamiliar medium, and having saturated myself with Pater, the
passage to De Quincey was easy. He, too, was a Latin in manner and in
temper of mind; but he was truly English, and through him I passed to the
study of the Elizabethan dramatists, the real literature of my race, and
washed myself clean.
CHAPTER XI
THOUGHTS IN A STRAND LODGING
Awful Emma has undressed and put the last child away--stowed the last child
away in some mysterious and unapproachable corner that none knows of but
she; the fat landlady has ceased to loiter about my door, has ceased to
pester me with offers of brandy and water, tea and toast, the inducements
that occur to her landlady's mind; the actress from the Savoy has ceased to
walk up and down the street with the young man who accompanied her home
from the theatre; she has ceased to linger on the doorstep talking to him,
her key has grated in the lock, she has come upstairs, we have had our
usual midnight conversation on the landing, she has told me her latest
hopes of obtaining a part, and of the husband whom she was obliged to
leave; we have bid each other good-night, she has gone up the creaky
staircase. I have returned to my room, littered with MS. and queer
publications; the night is hot and heavy, but now a wind is blowing from
the river. I am listless and lonely.... I open a book, the first book that
comes to hand ... it is _Le Journal des Goncourts_, p. 358, the end of
a chapter:--
"_It is really curious that it should be the four men the most free from
all taint of handicraft and all base commercialism, the four pens the most
entirely devoted to art, that were arraigned before the public prosecutor:
Baudelaire, Flaubert, and ourselves._"
Yes it is indeed curious, and I will not spoil the piquancy of the moral by
a comment. No comment would help those to see who have eyes to see, no
comment would give sight to the hopelessly blind. Goncourt's statement is
eloquent and suggestive enough; I leave it a naked simple truth; but I
would put by its side another naked simple truth. This: If in England the
public prosecutor does not seek to override literature, the means of
tyranny are not wanting, whether they
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