sed his left hand more readily and with more
force than his right; and his joints were so strong, that he could bore a
fresh, sound apple through with his finger, and wound the head of a boy,
or even a young man, with a fillip. He was of a fair complexion, and
wore his hair so long behind, that it covered his neck, which was
observed to be a mark of distinction affected by the family. He had a
handsome face, but it was often full of pimples. His eyes, which were
large, had a wonderful faculty of seeing in the night-time, and in the
dark, for a short time only, and immediately after awaking from sleep;
but they soon grew dim again. He walked with his neck stiff and upright:
generally with a frowning countenance, being for the most part silent:
when he spoke to those about him, it was very slowly, and usually
accompanied with a slight gesticulation of his fingers. All which, being
repulsive habits and signs of arrogance, were remarked by Augustus, who
often endeavoured to excuse them to the senate and people, declaring that
"they were natural defects, which proceeded from no viciousness of mind."
He enjoyed a good state of health, without interruption, almost during
the whole period of his rule; though, from the thirtieth year of his age,
he treated it himself according to his own discretion, without any
medical assistance.

LXIX. In regard to the gods, and matters of religion, he discovered much
indifference; being greatly addicted to astrology, and fully persuaded
that all things were governed by fate. Yet he was extremely afraid of
lightning, and when the sky was in a disturbed state, always wore a
laurel crown on his head; because it is supposed that the leaf of that
tree is never touched by the lightning.

(235) LXX. He applied himself with great diligence to the liberal arts,
both Greek and Latin. In his Latin style, he affected to imitate Messala
Corvinus [364], a venerable man, to whom he had paid much respect in his
own early years. But he rendered his style obscure by excessive
affectation and abstruseness, so that he was thought to speak better
extempore, than in a premeditated discourse. He composed likewise a
lyric ode, under the title of "A Lamentation upon the death of Lucius
Caesar;" and also some Greek poems, in imitation of Euphorion, Rhianus,
and Parthenius [365]. These poets he greatly admired, and placed their
works and statues in the public libraries, amongst the eminent authors of
antiq