he writers of the Augustan age, by repressing
emulation, tended to a general diminution of the efforts of genius for
some time; while the banishment of Ovid, it is probable, and the capital
punishment of a subsequent poet, for censuring the character of
Agamemnon, operated towards the farther discouragement of poetical
exertions. There now existed no circumstance to counterbalance these
disadvantages. Genius no longer found a patron either in the emperor or
his minister; and the gates of the palace were shut against all who
cultivated the elegant pursuits of the Muses. Panders, catamites,
assassins, wretches stained with every crime, were the constant
attendants, as the only fit companions, of the tyrant who now occupied
the throne. We are informed, however, that even this emperor had a taste
for the liberal arts, and that he composed a lyric poem upon the death of
Lucius Caesar, with some Greek poems in imitation of Euphorion, Rhianus,
and Parthenius. But none of these has been transmitted to posterity: and
if we should form an opinion of them upon the principle of Catullus, that
to be a good poet one ought to be a good man, there is little reason to
regret that they have perished.
We meet with no poetical production in this reign; and of prose writers
the number is inconsiderable, as will appear from the following account
of them.----
VELLEIUS PATERCULUS was born of an equestrian family in Campania, and
served as a military tribune under Tiberius, in his expeditions in Gaul
and Germany. He composed an Epitome of the History of Greece and Rome,
with that of other nations of remote antiquity: but of this work there
only remain fragments of the history of Greece and Rome, from the
conquest of Perseus to the seventeenth year of the reign of Tiberius. It
is written in two books, addressed to Marcus Vinicius, who had (248) the
office of consul. Rapid in the narrative, and concise as well as elegant
in style, this production exhibits a pleasing epitome of ancient
transactions, enlivened occasionally with anecdotes, and an expressive
description of characters. In treating of the family of Augustus,
Paterculus is justly liable to the imputation of partiality, which he
incurs still more in the latter period of his history, by the praise
which is lavished on Tiberius and his minister Sejanus. He intimates a
design of giving a more full account of the civil war which followed the
death of Julius Caesar; but this, if
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