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rix virginum Regina nostri miserere,"_ and greeted me with a pitiless simper. The unidentified martyr on the left stared straight in front of him with callous indifference, and St. Roch looked aggravatingly plump for all his ostentatious plague-spot. The picture was worse than meaningless. It was insulting. It drove me out of the Public Gallery. Outside a grey mist veiled the hills and a fine penetrating rain was falling. I crept home, and for the fiftieth time since I have been here, opened my "History of Renaissance Morals." I threw it, with a final curse, into the corner. I loathe it. I care not a fig for the Renaissance or its morals. I count its people but a pestilent herd of daubers, rhymers, cutthroats, and courtesans. Their _hubris_ has lost its glamour of beauty and has coarsened into vulgar insolence. They offend me by their riotous swagger, their insistence on the animal joy of living; chiefly by their perpetual reminiscence of Pasquale. Yet once they interested me greatly, filling with music and with colour the grey void of my life. Whence has come the change? In myself. To myself I have become a subject of excruciating interest. To myself I am a vastly more picturesque personage than any debonair hooligan of quattro-cento Verona. He has faded into the dullest (and most offensive) dog of a ghost. I only exist. This sounds like the colossal vanity of Bedlam. Heaven knows it is not. If you are racked with toothache from ear to ear, from crown to chin, and from eyeball to cerebellum, is not the whole universe concentrated in that head of yours? Are you not to yourself in that hour of torture the most vitally important of created beings? And no one blames you for it. Let me therefore be without blame in my hour of moral toothache. In the days gone by I was the victim of a singular hallucination. I flattered myself on being the one individual in the world not summoned to play his part in the comedy of Life. I sat alone in the great auditorium like the mad king of Bavaria, watching with little zest what seemed but a sorry spectacle. I thought myself secure in my solitary stall. But I had not counted on the high gods who crowd shadowy into the silent seats and are jealous of a mortal in their midst. Without warning was I wrested from my place, hurled onto the stage, and before my dazzled eyes could accustom themselves to the footlights, I found myself enmeshed in intolerable drama. I was unprepared. I knew m
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