d return by the Germantown cars. It was Philip's
plan, who had engaged the seats, and promised himself an evening with
Ruth, walking with her, sitting by her in the hall, and enjoying the
feeling of protecting that a man always has of a woman in a public place.
He was fond of music, too, in a sympathetic way; at least, he knew that
Ruth's delight in it would be enough for him.

Perhaps he meant to take advantage of the occasion to say some very
serious things. His love for Ruth was no secret to Mrs. Bolton, and he
felt almost sure that he should have no opposition in the family. Mrs.
Bolton had been cautious in what she said, but Philip inferred everything
from her reply to his own questions, one day, "Has thee ever spoken thy
mind to Ruth?"

Why shouldn't he speak his mind, and end his doubts? Ruth had been more
tricksy than usual that day, and in a flow of spirits quite inconsistent,
it would seem, in a young lady devoted to grave studies.

Had Ruth a premonition of Philip's intention, in his manner? It may be,
for when the girls came down stairs, ready to walk to the cars; and met
Philip and Harry in the hall, Ruth said, laughing,

"The two tallest must walk together" and before Philip knew how it
happened Ruth had taken Harry's arm, and his evening was spoiled. He had
too much politeness and good sense and kindness to show in his manner
that he was hit. So he said to Harry,

"That's your disadvantage in being short." And he gave Alice no reason
to feel during the evening that she would not have been his first choice
for the excursion. But he was none the less chagrined, and not a little
angry at the turn the affair took.

The Hall was crowded with the fashion of the town. The concert was one
of those fragmentary drearinesses that people endure because they are
fashionable; tours de force on the piano, and fragments from operas,
which have no meaning without the setting, with weary pauses of waiting
between; there is the comic basso who is so amusing and on such familiar
terms with the audience, and always sings the Barber; the attitudinizing
tenor, with his languishing "Oh, Summer Night;" the soprano with her
"Batti Batti," who warbles and trills and runs and fetches her breath,
and ends with a noble scream that brings down a tempest of applause in
the midst of which she backs off the stage smiling and bowing. It was
this sort of concert, and Philip was thinking that it was the most stupid
one he ev