opposes your husband in the vestry? With your newly appointed vicar,
whose style of preaching you find painfully below that of his regretted
predecessor? With the honest servant who worries your soul with her one
failing? With your neighbour, Mrs. Green, who was really kind to you
in your last illness, but has said several ill-natured things about you
since your convalescence? Nay, with your excellent husband himself, who
has other irritating habits besides that of not wiping his shoes? These
fellow-mortals, every one, must be accepted as they are: you can neither
straighten their noses, nor brighten their wit, nor rectify their
dispositions; and it is these people--amongst whom your life is
passed--that it is needful you should tolerate, pity, and love: it is
these more or less ugly, stupid, inconsistent people whose movements of
goodness you should be able to admire--for whom you should cherish all
possible hopes, all possible patience. And I would not, even if I had
the choice, be the clever novelist who could create a world so much
better than this, in which we get up in the morning to do our daily
work, that you would be likely to turn a harder, colder eye on the
dusty streets and the common green fields--on the real breathing men
and women, who can be chilled by your indifference or injured by your
prejudice; who can be cheered and helped onward by your fellow-feeling,
your forbearance, your outspoken, brave justice.

So I am content to tell my simple story, without trying to make things
seem better than they were; dreading nothing, indeed, but falsity,
which, in spite of one's best efforts, there is reason to dread.
Falsehood is so easy, truth so difficult. The pencil is conscious of a
delightful facility in drawing a griffin--the longer the claws, and
the larger the wings, the better; but that marvellous facility which
we mistook for genius is apt to forsake us when we want to draw a real
unexaggerated lion. Examine your words well, and you will find that even
when you have no motive to be false, it is a very hard thing to say the
exact truth, even about your own immediate feelings--much harder than to
say something fine about them which is NOT the exact truth.

It is for this rare, precious quality of truthfulness that I delight in
many Dutch paintings, which lofty-minded people despise. I find a source
of delicious sympathy in these faithful pictures of a monotonous
homely existence, which has been the fate of