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o the future rather than the past?--May we not be looking into the womb of Nature, and not her grave? May not these images be like the shades of the unborn in Virgil's Elysium--the archetypes of men not yet called into existence?" These speculations, if advocated by eloquent writers, would not fail to attract many zealous votaries, for they would relieve men from the painful necessity of renouncing preconceived opinions. Incredible as such skepticism may appear, it has been rivalled by many systems of the sixteenth and seventeenth centuries, and among others by that of the learned Falloppio, who regarded the tusks of fossil elephants as earthy concretions, and the pottery or fragments of vases in the Monte Testaceo, near Rome, as works of nature, and not of art. But when one generation had passed away, and another, not compromised to the support of antiquated dogmas, had succeeded, they would review the evidence afforded by mummies more impartially, and would no longer controvert the preliminary question, that human beings had lived in Egypt before the nineteenth century: so that when a hundred years perhaps had been lost, the industry and talents of the philosopher would be at last directed to the elucidation of points of real historical importance. But the above arguments are aimed against one only of many prejudices with which the earlier geologists had to contend. Even when they conceded that the earth had been peopled with animate beings at an earlier period than was at first supposed, they had no conception that the quantity of time bore so great a proportion to the historical era as is now generally conceded. How fatal every error as to the quantity of time must prove to the introduction of rational views concerning the state of things in former ages, may be conceived by supposing the annals of the civil and military transactions of a great nation to be perused under the impression that they occurred in a period of one hundred instead of two thousand years. Such a portion of history would immediately assume the air of a romance; the events would seem devoid of credibility, and inconsistent with the present course of human affairs. A crowd of incidents would follow each other in thick succession. Armies and fleets would appear to be assembled only to be destroyed, and cities built merely to fall in ruins. There would be the most violent transitions from foreign or intestine war to periods of profound peace, and
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