near the angles of which statues were placed; one of them, a
Mercury, in brass, had been appraised, in 1649, at 500l.

In the early part of the last century, Somerset House was occasionally
appropriated to masquerades and other court entertainments. In the reign
of George II. William, Prince of Orange, resided here a short time; and
in 1764, the hereditary Prince of Brunswick became an inmate, prior to
his nuptials with the Princess Augusta, sister to George III. In April,
1763, a splendid fete was given here to the Venetian ambassadors, who
were entertained several days in this mansion.

In the year 1761, the second of his late majesty, Somerset House was
settled on the queen consort, in the event of her surviving the king; but
in April, 1775, in consequence of a royal message to Parliament, it was
resolved, that "Buckingham House, now called the Queen's House," should
be settled on her majesty in lieu of the former, which was to be vested
in the king, his heirs and successors, "for the purpose of erecting and
establishing certain public offices." An act was consequently passed in
the same year, and shortly afterwards the building of the present stately
pile was commenced under the superintendence of the late Sir William
Chambers. Extensive, however, as the buildings are, the original plan
has never been fully executed, and the eastern side is altogether
unfinished. The splendour of the building is, however, shortly to be
completed by the erection of another wing, to be appropriated as the
King's College; and surveys have already been made for this purpose.

The print represents the original mansion, or, we should rather say, city
of mansions, with its monastic chapel, and geometrical gardens, laid out
in the trim style of our forefathers. The suite of state apartments in
the principal front was very splendid, and previously to their being
dismantled by Sir William Chambers, they exhibited a sorry scene of royal
finery and attic taste. Mouldering walls and decayed furniture, broken
casements, falling roofs, and long ranges of uninhabited and
uninhabitable apartments, winding stairs, dark galleries, and long
arcades--all combined to present to the mind in strong, though gloomy
colours, a correct picture of the transitory nature of sublunary
splendour.

In the distance of the print is the celebrated Strand maypole, although
its situation there does not coincide with that marked out in more recent
prints. The original