century, 43;
short stories, outcome of, 47;
period of the, 60, 68;
effects of the, 69, 70;
art of the, 79;
women at the time of the, 133;
costumes and furniture in Sidney's "Arcadia" pure, 244;
characteristics of, 303

"Returne from Parnassus," 140 _note_, 316 _note_, 326

Rich, "Farewell to militarie profession," 81;
imitator of Lyly, 145;
works of, 146, 147

Rich, Lord, husband of Sidney's "Stella," 223, 227

Richardson, 25, 26, 123, 124, 127, 131;
"Pamela" and "Clarissa Harlowe," 169, 202;
borrows from Sidney, 249, 250;
270, 317, 378, 417

Richelieu, 352

Rivers, Lord, 134

Robert the Devil, drawing of, 57

"Robinson Crusoe," 123, 124, 159

Robinson, Ralph, translator of More's "Utopia," 50, 51

Rogers, William, engraving by, 11, 256

"Roland," poem imitated from a French romance, 34, 39

"Roman bourgeois," 398

"Roman comique," 398

Romances, end of chivalrous, 25;
pastoral, 217-283;
heroical, reaction against, 397, 398, 411;
French, translated and read in
England, 363-384

Ronsard, 43, 88

"Rosalynde," Lodge's, compared with "As you like it," 202-213

Rousseau's "Emile," 130, 131;
"Social contract," 221;
and Mrs. Behn, 414-416

Rowley, 331

S.

Sainte More, Benoit de, poems by, 34, 35

Saint Dunstan, literature under, 33

Salisbury, John of, 38

"Sapho and Phao," Lyly's, 138

Sarasin, 350

Scarron, 398, 400 _note_, 404

"Scipion," 365

Scott, Sir Walter, 26, 36

Scudery, George de, 278, 348, 355, 356;
preface to "Ibrahim," 358, 408, 409, 415;
Madeleine de, "Clelie," 20; 355-357;
361, 384, 388, 396

Settle's "Empress of Morocco," 20, 21, 293;
392-395

Sevigne, Mme. de, admirer of heroism in romances and plays, 352, 353,
357, 381

Shakespeare, interior view of a theatre in time of, 17, 18, 286;
24;
glory of, 26;
editions of the plays of, 27; 43;
his daily reading, 85;
outcome of his age, 88;
Cleopatra, 97, 99, 156;
source of "Twelfth Night," 147;
of "Winter's Tale," 155, 178-185;
"Parismus" compared with "Romeo and Juliet," 194-198;
of "As you like it," 202-213;
source of part of "Lear," 262;
source of "Two Gentlemen of Verona," 149, 150, 236 _note_;
little known in France, 279;
a copy of, in Louis XIV.'s library, 281;
earliest French criticism on, 282;
humour of, 289;
beginning of career of, 299, 300;
on music, 300, 301;
interposes himself in his plays, 314, 315;