FREE BOOKS

Author's List




PREV.   NEXT  
|<   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119  
120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   >>   >|  
und on trial that we are able to pronounce more than a thousand letters in a minute. That is, during every minute that we are reading aloud, we perform between one and two thousand distinct muscular movements, and by necessity a like number of antecedent acts of the will, to say nothing of those other acts, not less numerous in the case of a speaker, connected with the general movement of the body in earnest gesticulation. Yet after the hour's performance, what does the speaker or the reader remember of all these countless volitions? Nothing but the one general purpose to please, instruct, or persuade an audience. The conclusion, toward which these illustrations point, is objected to by some writers, on the ground of the incredible rapidity which it attributes to our intellectual operations. Is it possible, it is asked, that we can crowd into such a space of time so many acts of the will, and that we are, at the moment when each happens, conscious of its presence? Is it not more probable that these rapid muscular actions are resolvable, in some way, into the law of habit? May they not become in some sense mechanical and automatic, so as to require no intervention of the will? Take for example, the case of a person learning to play upon a musical instrument. The first step is to move the fingers from key to key with a slow motion, looking at the notes, and exerting an express act of volition at every note. By degrees, however, the motions somehow cling to each other, and to the impressions of the notes, in the way of associations, the acts of volition all the while growing less and less express, until at last they become quite evanescent and imperceptible. An expert will play from notes or from memory, and with a rapidity of motion that is perfectly bewildering, while at the same time he himself is carrying on quite a different train of thoughts in his mind, or even perhaps holding a conversation with another. Hence, it is concluded, by the writers referred to, that in these cases there is really no intervention of that idea or state of the mind called will. The authorities for this hypothesis are among the highest that can be named in the history of intellectual science. Let us see how far the hypothesis explains the facts of the case. The most rapid performer, it is obvious, can at any time retard his execution, until his movements become so slow that each one may be made, as originally it was made, the subject of s
PREV.   NEXT  
|<   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119  
120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   >>   >|  



Top keywords:
minute
 

hypothesis

 

muscular

 
thousand
 
rapidity
 
volition
 

intervention

 

movements

 

intellectual

 

express


general
 
writers
 

motion

 

speaker

 

expert

 

evanescent

 

imperceptible

 

fingers

 

memory

 

exerting


degrees
 

associations

 

growing

 
impressions
 

motions

 
science
 
highest
 

history

 

explains

 

originally


subject

 

execution

 
retard
 
performer
 

obvious

 
authorities
 

thoughts

 

carrying

 

bewildering

 

holding


conversation

 

called

 
concluded
 

referred

 
perfectly
 
conscious
 

gesticulation

 

earnest

 
numerous
 

connected