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e source and saw the solution as it would be, as it had to be. Pederson. Heartsick with the knowing, he observed Raoul Beardsley and remembered! This funny little man ... this ridiculous man ... this proud man who had seized his fate and shoved it through because it had to be done, because he obeyed the dictates, because he had reached his Time of Assertion. Oh, Pederson remembered! And most of all he remembered Beardsley there at the last, in that final moment when ECAIAC had reached the wailing heights of sentience and grief ... and how could he ever forget Beardsley's soundless whisper that seemed to say, "_No, no ... don't you understand? ... we're friends now!_" Pederson remembered. He remembered, and looking up saw that Council had reached equitable agreement, and his heart was sick and his soul was sick as he realized this was final, there could be no appeal. For the last time he looked upon Beardsley's face and saw that the man was fully cognizant.... Beardsley also knew.... Deobler had been right. Pederson turned his face away. COUNSELOR: Now we are agreed, gentlemen? (_waits for general approval._) Be it pronounced, then. Inasmuch as there exists a general area of doubt as to Disposition; and inasmuch as it is agreed that further deliberation would be prolonged and pointless; and inasmuch as our faith in the ultimate function of ECAIAC remains inestimable, despite recent vagaries which shall never occur again: be it therefore resolved, that the problem pending shall be taped in all its detail and submitted to ECAIAC for Final Disposition. THE END * * * * * End of the Project Gutenberg EBook of We're Friends, Now, by Henry Hasse *** END OF THIS PROJECT GUTENBERG EBOOK WE'RE FRIENDS, NOW *** ***** This file should be named 29488.txt or 29488.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/9/4/8/29488/ Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General T
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