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ut, after all, they furnish forth the action, and are necessary in their various ways to set forth the character of that hero and his second love, almost in the mediaeval sense his wife and his widow, Mathilde de la Mole, heiress, great lady, _fille folle de son corps_, and, in a kind of way, Queen Whims. Julien Sorel, allowance being made for his date, is one of the most remarkable heroes of fiction. He is physically handsome, in fact beautiful,[135] intellectually very clever, and possessed, in especial, of a marvellous memory; also, though not well educated early, capable of learning anything in a very short time--but presented in these favourable lights without any exaggeration. A distinguished Lord Justice was said by his admirers, at the beginning of his manhood, to have obtained more marks in examinations than any youthful person in the United Kingdom: and Julien, with equal opportunities, would probably have done the same in France. Morally, in no limited sense of the word, he does not possess a single good quality, and does possess most bad ones, with the possible exceptions of gluttony and avarice. That, being in each case a family tutor or _employe_ under trust, he seduces the wife of his first employer and the daughter of the second, cannot, in the peculiar circumstances, be said to count. This is, as it were, the starting-point, the necessary handicap, in the competition of this kind of novel. It is as he is, and in reference to what he does, after this is put aside, that he has to be considered. He is not a stage villain, though he has the peculiar, and in the circumstances important, if highly-to-be-deprecated habit of carrying pocket-pistols. He is not a Byronic hero with a terrible but misty past. He is not like Valmont of the _Liaisons Dangereuses_,[136] a professional and passionless lady-killer. He is not a swindler nor (though he sometimes comes near to this also) a conspirator like Count Fosco of _The Woman in White_. One might make a long list of such negatives if it were worth while. He is only an utterly selfish, arrogant, envious, and generally bad-blooded[137] young man, whom circumstances partly, and his own misdeeds helping them, first corrupt and then destroy. You never sympathise with him for one moment, except in a peculiar fashion to be noted presently; but at the same time he neither quite bores you nor quite disgusts you. _Homo est_, and it is Beyle's having made him so that makes Be
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