mei " 586-587
" 32nd " Sushun " 588-592
" 33rd " Suiko " 593-628
" 34th " Jomei " 629-641
" 35th " Kogyoku " 642-645
THE seven reigns five Emperors and two Empresses commencing with the
Emperor Kimmei and ending with the Empress Kogyoku, covered a period
of 105 years, from 540 to 645, and are memorable on three accounts:
the introduction of Buddhism; the usurpation of the great uji, and
the loss of Japan's possessions in Korea.
THE INTRODUCTION OF BUDDHISM
During the reign of the Emperor Ming of the Hou-Han dynasty, in the
year AD. 65, a mission was sent from China to procure the Buddhist
Sutras as well as some teachers of the Indian faith. More than three
centuries elapsed before, in the year 372, the creed obtained a
footing in Korea; and not for another century and a half did it find
its way (522) to Japan. It encountered no obstacles in Korea. The
animistic belief of the early Koreans has never been clearly studied,
but whatever its exact nature may have been, it certainly evinced no
bigotry in the presence of the foreign faith, for within three years
of the arrival of the first image of Sakiya Muni in Koma, two large
monasteries had been built, and the King and his Court were all
converts.
No such reception awaited Buddhism in Japan when, in 522, a Chinese
bonze, Shiba Tachito, arrived, erected a temple on the Sakata plain
in Yamato, enshrined an image, of Buddha there, and endeavoured to
propagate the faith. At that time, Wu, the first Emperor of the Liang
dynasty in China, was employing all his influence to popularize the
Indian creed. Tradition says that Shiba Tachito came from Liang, and
in all probability he took the overland route via the Korean
peninsula, but the facts are obscure. No sensible impression seems to
have been produced in Japan by this essay. Buddhism was made known to
a few, but the Japanese showed no disposition to worship a foreign
god. Twenty-three years later (545), the subject attracted attention
again. Song Wang Myong, King of Kudara, menaced by a crushing attack
on the part of Koma and Shiragi in co-operation, made an image of the
Buddha, sixteen feet high, and petitioned the Court of Yamato in the
sense that as all good things were promised in the sequel of such an
effort, protection should be extended to him by Japan. Tradition says
that although Buddhism had not yet secured a footing in Yamato, this
i
|