ioned and "fuller," in dressmakers'
parlance, than anything dared by Fay Templeton. But the Jeypore beauty's
real passion is for gold and silver jewelry, and she carries this to a
degree unrivaled by the women of any other section of India. It is not
trifling with fact to say that the average Rajput woman wears from eight
to ten pounds in silver on ankles and toes, and bracelets enough to
sheath arms from wrist to elbow. Every feminine Jeypore nose bears some
metal ornamentation--gold studs through the nostrils, and generally a
hoop of gold depending a full inch below the point of the chin. Their
ears are deformed by the wealth of metal hanging from lobe or strung on
the upper rim of that organ. It can be said of Jeypore's fair sex that
they are bimetallists in the strictest sense. The argument of the
savings-bank has probably never been brought to their attention, for
when one of them has a little money ahead she purchases a silver
ornament for her person; and if a windfall come to her by legacy or
otherwise, she buys something of gold, most likely a necklace of
barbaric design. When one of these women goes to the market-place or the
public well, she wears everything of value she possesses, and for the
best of reasons her home is never pilfered.
Rajput men and women look a visitor in the face, and by their smiling
countenances seem to welcome you to their country. They lack the
broken-spirited look and sullen servility of Indian peoples overlorded
by Thomas Atkins. In Jeypore there are grandees and warriors, painted
dogs, hunting leopards, bedecked horses, and hulking elephants in every
street picture--and these pictures change with the facility of groupings
of the kaleidoscope.
The open-air shops of the metal workers and enamelers, and of the dyers,
whose favorite colors are magenta and yellow, are interesting. There, on
the left, is the imposing facade of the Palace of the Winds, extolled by
Sir Edwin Arnold as "a vision of daring and dainty loveliness," but
which in reality is scarcely more than a mask of stucco erected to make
a show from the street. The Maharajah's palace and grounds cover a
seventh of the area of this finest of modern Hindu cities. A stone's
throw from the palace portal is a temple wherein Jeypore women beseech
the image of Siva to bless them with children: and elsewhere are a Gate
of Rubies, and a Temple of the Sun. At scores of wayside shops tiny
idols of the Hindu hierarchy, and silver brac
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