e to the
room." We may be sure it was no personal shrinking, but a regard for
the public peace, that caused the preacher's decision. Twenty years
later he wrote: "Here God has made all our enemies to be at peace with
us, so that I might have preached in any part of the town. But I
rather chose a meadow, where such as would might sit down, either on
the grass or on the hedges--so the Cornish term their broad stone
walls, which are usually covered with grass." Of his last visit he
says that "well-nigh all the town attended, and with all possible
seriousness. Surely forty years' labour has not been in vain here."
The numberless meeting-houses and Bethels throughout Cornwall bear at
least one form of testimony to the enduring fruits of that "forty
years' labour."
There are other things besides Methodists at St. Ives; there are
painters and pilchards. The colony of artists here is almost as famous
as that of Newlyn, and there are at least sixty different studios.
Pictures from St. Ives have won world-wide fame; in fact,
artistically, Cornwall would have long since become stale were it not
for its inexhaustible charm. The painters bring something of a Latin
Quarter element with them, and are by no means limited to British in
nationality. Mr. Stanhope Forbes says: "I remember finding in a house
at St. Ives where I was calling, four painters of four different
nationalities. In that town Zorn, the well-known Swedish artist,
painted his first oil picture, which now hangs in the Luxembourg, and
for it his palette was set by an equally celebrated American painter
who at that time resided there."
The studios are specially thronged during the winter months, as the
climate allows much open-air work; in the summer many of the painters
fly to other hunting-fields, leaving Cornwall to the tourist. The
Cornish have grown accustomed to the painters by this time, and cease
to regard them with wondering curiosity; they are recognised as having
distinct local uses. Many of the pictures now displayed in exhibitions
bespeak a close intimacy between the painters and the fishermen. But
the pilchards are of still more importance to the little huddled town
where the fishers live; and these usually begin to arrive about
August, when the huers have already taken up their position on the
high places around, in order to signal the first sighting of the
shoals. The huers are on watch from August till late October, and it
is the method of taking by
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