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e to the room." We may be sure it was no personal shrinking, but a regard for the public peace, that caused the preacher's decision. Twenty years later he wrote: "Here God has made all our enemies to be at peace with us, so that I might have preached in any part of the town. But I rather chose a meadow, where such as would might sit down, either on the grass or on the hedges--so the Cornish term their broad stone walls, which are usually covered with grass." Of his last visit he says that "well-nigh all the town attended, and with all possible seriousness. Surely forty years' labour has not been in vain here." The numberless meeting-houses and Bethels throughout Cornwall bear at least one form of testimony to the enduring fruits of that "forty years' labour." There are other things besides Methodists at St. Ives; there are painters and pilchards. The colony of artists here is almost as famous as that of Newlyn, and there are at least sixty different studios. Pictures from St. Ives have won world-wide fame; in fact, artistically, Cornwall would have long since become stale were it not for its inexhaustible charm. The painters bring something of a Latin Quarter element with them, and are by no means limited to British in nationality. Mr. Stanhope Forbes says: "I remember finding in a house at St. Ives where I was calling, four painters of four different nationalities. In that town Zorn, the well-known Swedish artist, painted his first oil picture, which now hangs in the Luxembourg, and for it his palette was set by an equally celebrated American painter who at that time resided there." The studios are specially thronged during the winter months, as the climate allows much open-air work; in the summer many of the painters fly to other hunting-fields, leaving Cornwall to the tourist. The Cornish have grown accustomed to the painters by this time, and cease to regard them with wondering curiosity; they are recognised as having distinct local uses. Many of the pictures now displayed in exhibitions bespeak a close intimacy between the painters and the fishermen. But the pilchards are of still more importance to the little huddled town where the fishers live; and these usually begin to arrive about August, when the huers have already taken up their position on the high places around, in order to signal the first sighting of the shoals. The huers are on watch from August till late October, and it is the method of taking by
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