he Hyaena bigots thus forbade a World to mourn_.--
[D. erased.]
[440] {374} [Compare _Beppo_, stanza xliv.--
"I love the language, that soft bastard Latin,
Which melts like kisses from a female mouth,
And sounds as if it should be writ on satin,
With syllables which breathe of the sweet South."
Compare, too, the first sentence of a letter which Byron wrote "on a
blank leaf of the volume of 'Corinne,'" which Teresa [Guiccioli] left in
forgetfulness in a garden in Bologna: "Amor Mio,--How sweet is this word
in your Italian language!" (_Life of Lord Byron_, by Emilio Castelar, P.
145).]
[441] [By "Caesar's pageant" Byron means the pageant decreed by Tiberius
Caesar. Compare _Don Juan_, Canto XV. stanza xlix.--
"And this omission, like that of the bust
Of Brutus at the pageant of Tiberius."
At the public funeral of Junia, wife of Cassius and sister of Brutus,
A.D. 22, the busts of her husband and brother were not allowed to be
carried in the procession, because they had taken part in the
assassination of Julius Caesar. But none the less, "Praefulgebant Brutus
et Cassius eo ipso quod effigies eorum non videbantur" (Tacitus, _Ann._,
iii. 76). Their glory was conspicuous in men's minds, because their
images were withheld from men's eyes. As Tacitus says elsewhere (iv.
26), "Negatus honor gloriam intendit."]
[mz] {375} _Shelter of exiled Empire_----.--[MS. M. erased.]
[442] [The inscription on Ricci's monument to Dante, in the Church of
Santa Croce--"A majoribus ter frustra decretum" --refers to the vain
attempts which Florence had made to recover the remains of her exiled
and once-neglected poet.]
[443] ["I also went to the Medici chapel--fine frippery in great slabs
of various expensive stones, to commemorate fifty rotten and forgotten
carcasses. It is unfinished, and will remain so" (Letter to Murray,
April 26, 1817). The bodies of the grand-dukes lie in the crypt of the
Cappella dei Principi, or Medicean Chapel, which forms part of the
Church of San Lorenzo. The walls of the chapel are encrusted with rich
marbles and "stones of price, to garniture the edifice." The monuments
to Giuliano and Lorenzo de' Medici, son and grandson of Lorenzo the
Magnificent, with Michael Angelo's allegorical figures of Night and
Morning, Aurora and Twilight, are in the adjoining Cappella dei
Depositi, or Sagrestia Nuova.]
[444] {376} [The Duomo,
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