We
called this figure "the man from Mars." He was at least six feet high,
and strong as a lion. He rushed back into the cabinet, and came out
holding the medium above his head on his upraised palms. It was very
wonderful.'"
"You didn't see anything like that, did you?" asked Miller.
"No," I replied; "but I did see the development of a figure apparently
from the floor between me and the curtain of the cabinet. My attention
was called to something wavering, shimmering, and fluctuating about a
foot above the carpet. It was neither steam nor flame. It seemed
compounded of both luminous vapor and puffing clouds of drapery. It rose
and fell in quivering impulses, expanding and contracting, but
continuing to grow until at last it towered to the height of a tall man,
and I could dimly discern, through dark draperies edged with light, a
man's figure.
"'This,' the young wife said, 'is Judge White, the grandfather of the
psychic,' and she conversed with him, but only for a few moments. He
soon dwindled and faded and melted away in the same fashion as he had
come, recalling to my mind Richet's description of the birth and
disappearance of 'B. B.,' in Algiers. I know this sounds like the
veriest dreaming, but you must remember that materializations much more
wonderful have been seen and analyzed in the clinical laboratories of
Turin and Naples. Morselli, Bottazzi, Lombroso, Porro, and Foa have been
confronted by similar apparitions. They saw 'sinister' faces, and were
repelled by 'Satanic hands agile and prompt' in cabinets of their own
construction, surrounded by their own registering machinery, and Richet
photographed just such figures as this I have described.
"The question with me is not, Do these forms exist? but, What produces
them? I am describing this sitting to explain what I mean by the
ideoplastic or teleplastic theory. If, for example, this psychic had
known me well enough to have had a very definite picture of 'E. A.,' he
might have been able to model from the mind-stuff that he or the circle
had thrown off, a luminous image of my friend, and, aided by my
subconscious self, might have united the presence and the musical
thought of Ernest Alexander."
"It won't do!" exclaimed Miller. "It's all too destructive, too
preposterous!"
"I insist that the spirit hypothesis is simpler," repeated Fowler.
"It isn't a question of simplicity," I retorted. "It's a question of
fact. If the observations of scientific expe
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