fragments of spiced and bituminized humanity to be
shown to visitors who are not nervous, nor given to midnight terrors.
Here is a baby's foot (some mother cried over it once) in the Japanese
cabinet in the ante-room. There are three mummied hands behind
"_Allibone's Dictionary of English Authors_," in the library. There
are two arms with hands complete--the one almost black, the other
singularly fair,--in a drawer in my dressing-room; and grimmest of
all, I have the heads of two ancient Egyptians in a wardrobe in my
bedroom, who, perhaps, talk to each other in the watches of the night,
when I am sound asleep. As, however, I am not writing a catalogue of
my collection, I will only mention that there is a somewhat battered
statue of a Prince of Kush standing upright in his packing-case, like
a sentry in a sentry-box, in an empty coach-house at the bottom of the
garden.
It may, perhaps, be objected to my treatment of this subject that I
have described only my "home," and that, being myself, I have not
described Miss Edwards. This is a task which I cannot pretend to
perform in a manner satisfactory either to myself or the reader. My
personal appearance has, however, been so fully depicted in the
columns of some hundreds of newspapers, that I have but to draw upon
the descriptions given by my brethren of the press, in order to fill
what would otherwise be an inevitable gap in the present article. By
one, for instance, I am said to have "coal-black hair and flashing
black eyes"; by another, that same hair is said to be "snow-white";
while a third describes it as "iron-gray, and rolled back in a large
wave." On one occasion, as I am informed, I had "a commanding and
Cassandra-like presence"; elsewhere, I was "tall, slender, and
engaging"; and occasionally I am merely of "middle height" and, alas!
"somewhat inclined to _embonpoint_." As it is obviously so easy to
realize what I am like from the foregoing data, I need say no more on
the subject.
With regard to "my manners and customs" and the course of my daily
life, there is little or nothing to tell. I am essentially a worker,
and a hard worker, and this I have been since my early girlhood. When
I am asked what are my working hours, I reply:--"All the time when I
am not either sitting at meals, taking exercise, or sleeping"; and
this is literally true. I live with the pen in my hand, not only from
morning till night, but sometimes from night till morning. I have, in
fact
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