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was ajar, and I listened with bated breath. Mother told Mehitable all about this mysterious voice, and asked if she really did hear Mary's name pronounced in audible tones. My cousin answered quickly, and emphasized her affirmation. That night, before going to rest, my mother read to me the Scriptural narrative of little Samuel, and bade me, when the voice called again, to reply as he did, "Speak, Lord; for Thy servant heareth." The voice came; but I was afraid, and did not answer. Afterward I wept, and prayed that God would forgive me, resolving to do, next time, as my mother had bidden me. When the call came again I did answer, in the words of Samuel, but never again to the material senses was that mysterious call repeated. Is it not much that I may worship Him, With naught my spirit's breathings to control, And feel His presence in the vast and dim And whispering woods, where dying thunders roll From the far cataracts? Shall I not rejoice That I have learned at last to know His voice From man's?--I will rejoice! My soaring soul Now hath redeemed her birthright of the day, And won, through clouds, to Him, her own unfettered way! --MRS. HEMANS. EARLY STUDIES My father was taught to believe that my brain was too large for my body and so kept me much out of school, but I gained book-knowledge with far less labor than is usually requisite. At ten years of age I was as familiar with Lindley Murray's Grammar as with the Westminster Catechism; and the latter I had to repeat every Sunday. My favorite studies were natural philosophy, logic, and moral science. From my brother Albert I received lessons in the ancient tongues, Hebrew, Greek, and Latin. My brother studied Hebrew during his college vacations. After my discovery of Christian Science, most of the knowledge I had gleaned from schoolbooks vanished like a dream. Learning was so illumined, that grammar was eclipsed. Etymology was divine history, voicing the idea of God in man's origin and signification. Syntax was spiritual order and unity. Prosody, the song of angels, and no earthly or inglorious theme. GIRLHOOD COMPOSITION From childhood I was a verse-maker. Poetry suited my emotions better than prose. The following is one of my girlhood productions. ALPHABET AND BAYONET If fancy plumes aerial flight, Go fix thy restless mind On l
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