was ajar, and I listened with bated
breath. Mother told Mehitable all about this mysterious voice, and asked if
she really did hear Mary's name pronounced in audible tones. My cousin
answered quickly, and emphasized her affirmation.
That night, before going to rest, my mother read to me the Scriptural
narrative of little Samuel, and bade me, when the voice called again, to
reply as he did, "Speak, Lord; for Thy servant heareth." The voice came;
but I was afraid, and did not answer. Afterward I wept, and prayed that God
would forgive me, resolving to do, next time, as my mother had bidden me.
When the call came again I did answer, in the words of Samuel, but never
again to the material senses was that mysterious call repeated.
Is it not much that I may worship Him,
With naught my spirit's breathings to control,
And feel His presence in the vast and dim
And whispering woods, where dying thunders roll
From the far cataracts? Shall I not rejoice
That I have learned at last to know His voice
From man's?--I will rejoice! My soaring soul
Now hath redeemed her birthright of the day,
And won, through clouds, to Him, her own unfettered way!
--MRS. HEMANS.
EARLY STUDIES
My father was taught to believe that my brain was too large for my body and
so kept me much out of school, but I gained book-knowledge with far less
labor than is usually requisite. At ten years of age I was as familiar with
Lindley Murray's Grammar as with the Westminster Catechism; and the latter
I had to repeat every Sunday. My favorite studies were natural philosophy,
logic, and moral science. From my brother Albert I received lessons in the
ancient tongues, Hebrew, Greek, and Latin. My brother studied Hebrew during
his college vacations. After my discovery of Christian Science, most of the
knowledge I had gleaned from schoolbooks vanished like a dream.
Learning was so illumined, that grammar was eclipsed. Etymology was divine
history, voicing the idea of God in man's origin and signification. Syntax
was spiritual order and unity. Prosody, the song of angels, and no earthly
or inglorious theme.
GIRLHOOD COMPOSITION
From childhood I was a verse-maker. Poetry suited my emotions better than
prose. The following is one of my girlhood productions.
ALPHABET AND BAYONET
If fancy plumes aerial flight,
Go fix thy restless mind
On l
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