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who have not seen them. No illustration can do them justice; for no photographer can adequately reproduce their clear, transparent depths, nor can an artist's brush ever quite portray their peculiar coloring, due to the minerals held in solution, or else deposited upon their sides. I can deliberately say, however, that some of the most exquisitely beautiful objects I have ever seen in any portion of the world are the superbly tinted caldrons of the Yellowstone. Their hues are infinitely varied. Many are blue, some green, some golden, and some wine-colored, in all gradations of tone; and could we soar aloft and take of them a bird's-eye view, the glittering basin might seem to us a silver shield, studded with rubies, emeralds, turquoises, and sapphires. Moreover, these miniature lakes are lined with exquisite ornamentation. One sees in them, with absolute distinctness, a reproduction of the loveliest forms that he has ever found in floral or in vegetable life. Gardens of mushrooms, banks of goldenrod, or clusters of asparagus, appear to be growing here, created by the Architect and colored by the Artist of these mineral springs. [Illustration: THE ROAD NEAR THE GOLDEN GATE.] [Illustration: THE EMERALD POOL.] The most renowned of all these reservoirs of color is called the Emerald Pool. Painters from this and other lands have tried repeatedly to depict this faithfully upon canvas, but, finally, have left it in despair. In fact, its coloring is so intense, that as the bubbles, rising to its surface, lift from this bowl their rounded forms, and pause a second in the air before they break, they are still just as richly tinted as the flood beneath. Accordingly this pool appeared to me like a colossal casket, filled with emeralds, which spirit hands from time to time drew gently upward from its jeweled depths. [Illustration: SUNLIGHT LAKE.] Close by this is another boiling pool called the Sunlight Lake. On this I saw one of the most marvelous phenomena I have ever looked upon. The colors of this tiny sheet of water appeared not only in concentric circles, like the rings of a tree, but also in the order of the spectrum. The outer band was crimson, and then the unbroken sequence came: red, orange, yellow, green, blue, and violet in the centre! Moreover, the very steam arising from it (reflecting as it did the varied tints beneath) was exquisitely colored, and vanished into air like a dissolving rainbow. All these
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