nue in his position, recommends Max, a
skilful marksman, who is betrothed to his daughter Agatha, as his
successor. The Prince agrees to accept him if he proves himself victor
at the forthcoming hunting-match. Caspar, the master-villain of the
play, who has sold himself to the demon Zamiel, and who also is in
love with Agatha, forms a plot to ruin Max and deliver him over to
Zamiel as a substitute for himself, for the limit of his contract with
the Evil One is close at hand. With Zamiel's aid he causes Max to miss
the mark several times during the rehearsals for the match. The lover
is thrown into deep dejection by his ill luck, and while in this
melancholy condition is cunningly approached by Caspar, who says to
him that if he will but repeat the formula, "In the name of Zamiel,"
he will be successful. He does so, and brings down an eagle soaring
high above him.
Elated with his success, Caspar easily persuades him that he can win
the match if he will meet him at midnight in the Wolf's Glen, where
with Zamiel's aid he can obtain plenty of magic bullets.
The second act opens in Kuno's house, and shows us Agatha melancholy
with forebodings of coming evil. A hermit whom she has met in the
woods has warned her of danger, and given her a wreath of magic roses
to ward it off. An ancestral portrait falling from the walls also
disturbs her; and at last the appearance of the melancholy Max
confirms her belief that trouble is in store for her. Max himself is
no less concerned. All sorts of strange sounds have troubled him, and
his slumbers have been invaded with apparitions. Nevertheless, he goes
to the Wolf's Glen; and though spectres, skeletons, and various
grotesque animals terrify him, and his mother's spirit appears and
warns him away, he overcomes his fright and appears with Caspar at the
place of incantation. Zamiel is summoned, and seven bullets are cast,
six of which are to be directed by Max himself in the forthcoming
match, while the seventh will be at the disposal of the demon. Little
dreaming the fate which hangs upon the seventh, Caspar offers no
objections.
The third act opens, like the last, in Kuno's house, and discovers
Agatha preparing for her nuptials, and telling Annchen a singular
dream she has had. She had fancied herself a dove, and that Max fired
at her. As the bird fell she came to herself and saw that the dove had
changed to a fierce bird of ill omen which lay dying at her feet. The
melancholy pr
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