FREE BOOKS

Author's List




PREV.   NEXT  
|<   1   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25  
26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   >>   >|  
The Project Gutenberg eBook, The Standard Operas (12th edition), by George P. Upton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Standard Operas (12th edition) Author: George P. Upton Release Date: February 8, 2005 [eBook #14968] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE STANDARD OPERAS (12TH EDITION)*** E-text prepared by David Newman, Keith M. Eckrich, and the Project Gutenberg Online Disributed Proofreading Team THE STANDARD OPERAS Their Plots, Their Music, and Their Composers A Handbook by GEORGE P. UPTON Twelfth Edition Chicago: A. C. McClurg and Company 1897 PREFACE. The object of the compiler of this Handbook is to present to the reader a brief but comprehensive sketch of each of the operas contained in the modern repertory which are likely to be given during regular seasons. To this end he has consulted the best authorities, adding to the material thus collected his own observations, and in each case presented a necessarily brief sketch of the composer, the story of each opera, the general character of the music, its prominent scenes and numbers,--the latter in the text most familiar to opera-goers,--the date of first performances, with a statement of the original cast wherever it has been possible to obtain it, and such historical information concerning the opera and its composition as will be of interest to the reader. The work has been prepared for the general public rather than for musicians; and with this purpose in view, technicalities have been avoided as far as possible, the aim being to give musically uneducated lovers of opera a clear understanding of the works they are likely to hear, and thus heighten their enjoyment. In a word, the operas are described rather than criticised, and the work is presented with as much thoroughness as seemed possible considering the necessarily brief space allotted to each. In the preparation of the Handbook, the compiler acknowledges his indebtedness to Grove's excellent "Dictionary of Music" for dates and other statistical information; and he has also made free use of standard musical works in his library for histori
PREV.   NEXT  
|<   1   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25  
26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   >>   >|  



Top keywords:
Gutenberg
 

Handbook

 

Project

 

reader

 
Operas
 

compiler

 
OPERAS
 

STANDARD

 

prepared

 

sketch


information

 

general

 
necessarily
 
Standard
 

presented

 
operas
 

edition

 
George
 

composition

 

obtain


historical

 
interest
 

purpose

 

technicalities

 
musicians
 

public

 

prominent

 

scenes

 

numbers

 

restrictions


whatsoever

 

character

 
familiar
 

original

 
statement
 

performances

 

avoided

 

excellent

 

Dictionary

 
indebtedness

acknowledges

 
allotted
 

preparation

 

musical

 

library

 

histori

 

standard

 

statistical

 

lovers

 

understanding