ng more than the report has been heard from
it during the past three or four years. The great melodist now spends
a very quiet life as a country gentleman upon his estates near
Busseto.
ERNANI.
"Ernani," a tragic opera in four acts, words by F.M. Piave, the
subject taken from Victor Hugo's tragedy of "Hernani," was first
produced at Venice, March 9, 1844. The earlier performances of the
opera gave the composer much trouble. Before the first production the
police interfered, refusing to allow the representation of a
conspiracy on the stage, so that many parts of the libretto, as well
as much of the music, had to be changed. The blowing of Don Silva's
horn in the last act was also objected to by one Count Mocenigo, upon
the singular ground that it was disgraceful. The Count, however, was
silenced more easily than the police. The chorus "Si ridesti il Leon
di Castiglia" also aroused a political manifestation by the Venetians.
The opera was given in Paris, Jan. 6, 1846, and there it encountered
the hostility of Victor Hugo, who demanded that the libretto should be
changed. To accommodate the irate poet, the words were altered, the
characters were changed to Italians, and the new title of "II
Proscritto" was given to the work.
The action of the opera takes place in Arragon, Spain, and the period
is 1519. Elvira, a noble Spanish lady, betrothed to the grandee Don
Gomez de Silva, is in love with the bandit Ernani, who forms a plan to
carry her off. While receiving the congratulations of her friends upon
her approaching marriage with Silva, Don Carlos, the King of Spain,
enters her apartment, declares his passion for her, and tries to force
her from the castle. She cries for help, and Ernani comes to her
rescue and defies the king. The situation is still further complicated
by the sudden arrival of Silva, who declares he will avenge the
insult. Finding, however, that it is the King whom he has challenged,
he sues for pardon. In the second act, as the nuptials are about to be
solemnized, Ernani enters, disguised as a pilgrim, and believing
Elvira false to him, throws off his disguise and demands to be given
up to the King, which Silva refuses, as he cannot betray a guest.
Discovering, however, that Elvira and Ernani are attached to each
other, he determines on vengeance. The King eventually carries off
Elvira as a hostage of the faith of Silva, whereupon the latter
challenges Ernani. The bandit refuses to fight with him
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