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The Project Gutenberg eBook, Lady Connie, by Mrs. Humphry Ward, Illustrated by Albert Sterner This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Lady Connie Author: Mrs. Humphry Ward Release Date: September 20, 2004 [eBook #13501] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK LADY CONNIE*** E-text prepared by Juliet Sutherland, Charlie Kirschner, and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 13501-h.htm or 13501-h.zip: (http://www.gutenberg.net/dirs/1/3/5/0/13501/13501-h/13501-h.htm) or (http://www.gutenberg.net/dirs/1/3/5/0/13501/13501-h.zip) LADY CONNIE by MRS. HUMPHRY WARD Author of "Eltham House," "Delia Blanchflower," etc. Illustrated by Albert Sterner 1916 [Illustration: _There Connie found Nora's latest statement headed "List of Liabilities"_] [Illustration (decorative)] CONTENTS PART I CHAPTER I II III IV V VI VII VIII IX X PART II XI XII XIII XIV XV PART III XVI XVII XVIII XIX LIST OF ILLUSTRATIONS There Connie found Nora's latest statement headed "List of Liabilities" (Frontispiece) Constance sat in the shadow of a plane-tree with Falloden at her feet The tea-party at Mrs. Hooper's Lady Connie had stood entranced by the playing of Radowitz Connie sat down beside Radowitz and they looked at each other in silence Lady Connie held in her horse, feeding her eyes upon Flood Castle and its woods Herr Schwarz was examining a picture with a magnifying glass when Falloden entered Douglas knelt, looking into his father's face, and Radowitz moved farther away PART I CHAPTER I "Well, now we've done all we can, and all I mean to do," said Alice Hooper, with a pettish accent of fatigue. "Everything's perfectly comfortable, and if she doesn't like it, we can't help it. I don't know why we make such a fuss." The speaker threw herself with a gesture of fatigue into a dilapidated
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