FREE BOOKS

Author's List




PREV.   NEXT  
|<   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110  
111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   >>   >|  
at was the villain's claim to the title?" If a story cannot be made clear without an elaborate study of one or more family trees, beware of it. In all probability, it is of very little use for dramatic purposes. But before giving it up, see whether the relationships, and other relations, cannot be simplified. Complexities which at first seemed indispensable will often prove to be mere useless encumbrances. In _Pillars of Society_ Ibsen goes as far as any playwright ought to go in postulating fine degrees of kinship--and perhaps a little further. Karsten Bernick has married into a family whose gradations put something of a strain on the apprehension and memory of an audience. We have to bear in mind that Mrs. Bernick has (_a_) a half-sister, Lona Hessel; (_b_) a full brother, Johan Toennesen; (_c_) a cousin, Hilmar Toennesen. Then Bernick has an unmarried sister, Martha; another relationship, however simple, to be borne in mind. And, finally, when we see Dina Dorf living in Bernick's house, and know that Bernick has had an intrigue with her mother, we are apt to fall into the error of supposing her to be Bernick's daughter. There is only one line which proves that this is not so--a remark to the effect that, when Madam Dorf came to the town. Dina was already old enough to run about and play angels in the theatre. Any one who does not happen to hear or notice this remark, is almost certain to misapprehend Dina's parentage. Taking one thing with another, then, the Bernick family group is rather more complex than is strictly desirable. Ibsen's reasons for making Lona Hessel a half-sister instead of a full sister of Mrs. Bernick are evident enough. He wanted her to be a considerably older woman, of a very different type of character; and it was necessary, in order to explain Karsten's desertion of Lona for Betty, that the latter should be an heiress, while the former was penniless. These reasons are clear and apparently adequate; yet it may be doubted whether the dramatist did not lose more than he gained by introducing even this small degree of complexity. It was certainly not necessary to explain the difference of age and character between Lona and Betty; while as for the money, there would have been nothing improbable in supposing that a wealthy uncle had marked his disapproval of Lona's strong-mindedness by bequeathing all his property to her younger sister. Again, there is no reason why Hilmar should not have been a br
PREV.   NEXT  
|<   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110  
111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   >>   >|  



Top keywords:

Bernick

 

sister

 

family

 
explain
 
Karsten
 

Hessel

 

Toennesen

 

supposing

 
reasons
 

Hilmar


remark
 

character

 

considerably

 

making

 

evident

 

wanted

 

desertion

 

desirable

 
notice
 

happen


theatre

 

misapprehend

 

parentage

 

complex

 

strictly

 

heiress

 

Taking

 

elaborate

 

penniless

 

improbable


wealthy

 

marked

 
villain
 

disapproval

 

strong

 

reason

 

younger

 
mindedness
 
bequeathing
 

property


difference

 
doubted
 

dramatist

 

adequate

 
angels
 
apparently
 

degree

 

complexity

 

gained

 

introducing