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powers, and knows that they must show themselves sooner or later. Sheridan found himself labouring under the same natural obstacles as Demosthenes--though in a less degree--a thick and disagreeable tone of voice; but we do not find in the indolent but gifted Englishman that admirable perseverance, that conquering zeal, which enabled the Athenian to turn these very impediments to his own advantage. He did, indeed, prepare his speeches, and at times had fits of that same diligence which he had displayed in the preparation of 'The School for Scandal;' but his indolent, self-indulgent mode of life left him no time for such steady devotion to oratory as might have made him the finest speaker of his age, for perhaps his natural abilities were greater than those of Pitt, Fox, or even Burke, though his education was inferior to that of those two statesmen. From this time Sheridan's life had two phases--that of a politician, and that of a man of the world. With the former, we have nothing to do in such a memoir as this, and indeed it is difficult to say whether it was in oratory, the drama, or wit that he gained the greatest celebrity. There is, however, some difference between the three capacities. On the mimic stage, and on the stage of the country, his fame rested on a very few grand outbursts--some matured, prepared, deliberated--others spontaneous. He left only three great comedies, and perhaps we may say only one really grand. In the same way he made only two great speeches, or perhaps we may say only one. His wit on the other hand--though that too is said to have been studied--was the constant accompaniment of his daily life, and Sheridan has not left two or three celebrated bon-mots, but a hundred. But even in his political career his wit, which must then have been spontaneous, won him almost as much fame as his eloquence, which he seems to have reserved for great occasions. He was the wit of the House. Wit, ridicule, satire, quiet, cool, and easy sneers, always made in good temper, and always therefore the more bitter, were his weapons, and they struck with unerring accuracy. At that time--nor at that time only--the 'Den of Thieves,' as Cobbett called our senate, was a cockpit as vulgar and personal as the present Congress of the United States. Party-spirit meant more than it has ever done since, and scarcely less than it had meant when the throne itself was the stake for which parties played some forty years befor
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