s a touch of his exquisite
art, the grace of his most lovely spirit. We have so far had two men
only who felt the claim of their gift to the very best that the most
patient skill could give its utterance: one was Hawthorne and the other
was Longfellow. I shall not undertake to say which was the greater
artist of these two; but I am sure that every one who has studied it must
feel with me that the art of Longfellow held out to the end with no touch
of decay in it, and that it equalled the art of any other poet of his
time. It knew when to give itself, and more and more it knew when to
withhold itself.

What Longfellow's place in literature will be, I shall not offer to say;
that is Time's affair, not mine; but I am sure that with Tennyson and
Browning he fully shared in the expression of an age which more
completely than any former age got itself said by its poets.

STUDIES OF LOWELL

I have already spoken of my earliest meetings with Lowell at Cambridge
when I came to New England on a literary pilgrimage from the West in
1860. I saw him more and more after I went to live in Cambridge in 1866;
and I now wish to record what I knew of him during the years that passed
between this date and that of his death. If the portrait I shall try to
paint does not seem a faithful likeness to others who knew him, I shall
only claim that so he looked to me, at this moment and at that. If I do
not keep myself quite out of the picture, what painter ever did?

I.

It was in the summer of 1865 that I came home from my consular post at
Venice; and two weeks after I landed in Boston, I went out to see Lowell
at Elmwood, and give him an inkstand that I had brought him from Italy.
The bronze lobster whose back opened and disclosed an inkpot and a
sand-box was quite ugly; but I thought it beautiful then, and if Lowell
thought otherwise he never did anything to let me know it. He put the
thing in the middle of his writing-table (he nearly always wrote on a
pasteboard pad resting upon his knees), and there it remained as long as
I knew the place--a matter of twenty-five years; but in all that time I
suppose the inkpot continued as dry as the sand-box.

My visit was in the heat of August, which is as fervid in Cambridge as it
can well be anywhere, and I still have a sense of his study windows
lifted to the summer night, and the crickets and grasshoppers crying in
at them from the lawns and the gardens outside. Other people went aw