hich curiously
revealed the secret to him.
Bok was waiting to see one of the members of a publishing firm when a
well-known English publisher, visiting in America, was being escorted
out of the office, the conversation continuing as the two gentlemen
walked through the outer rooms. "My chief reason," said the English
publisher, as he stopped at the end of the outer office where Bok was
sitting, "for hesitating at all about taking an English set of plates of
the novel you speak of is because it is of anonymous authorship, a
custom of writing which has grown out of all decent proportions in your
country since the issue of that stupid book, The Breadwinners."
As these last words were spoken, a man seated at a desk directly behind
the speaker looked up, smiled, and resumed reading a document which he
had dropped in to sign. A smile also spread over the countenance of the
American publisher as he furtively glanced over the shoulder of the
English visitor and caught the eye of the smiling man at the desk.
Bok saw the little comedy, realized at once that he had discovered the
author of The Breadwinners, and stated to the publisher that he intended
to use the incident in his literary letter. But it proved to be one of
those heart-rending instances of a delicious morsel of news that must be
withheld from the journalist's use. The publisher acknowledged that Bok
had happened upon the true authorship, but placed him upon his honor to
make no use of the incident. And Bok learned again the vital
journalistic lesson that there are a great many things in the world that
the journalist knows and yet cannot write about. He would have been
years in advance of the announcement finally made that John Hay wrote
the novel.
At another time, while waiting, Bok had an experience which, while
interesting, was saddening instead of amusing. He was sitting in Mark
Twain's sitting-room in his home in Hartford waiting for the humorist to
return from a walk. Suddenly sounds of devotional singing came in
through the open window from the direction of the outer conservatory.
The singing was low, yet the sad tremor in the voice seemed to give it
special carrying power.
"You have quite a devotional servant," Bok said to a maid who was
dusting the room.
"Oh, that is not a servant who is singing, sir," was the answer. "You
can step to this window and see for yourself."
Bok did so, and there, sitting alone on one of the rustic benches in the
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