Germany.

Attila, the son of Mundzuk, deduced his noble, perhaps his regal,
descent from the ancient Huns, who had formerly contended with the
monarchs of China. His features, according to the observation of
a Gothic historian, bore the stamp of his national origin; and the
portrait of Attila exhibits the genuine deformity of a modern Calmuk; a
large head, a swarthy complexion, small, deep-seated eyes, a flat nose,
a few hairs in the place of a beard, broad shoulders, and a short square
body, of nervous strength, though of a disproportioned form. The haughty
step and demeanor of the king of the Huns expressed the consciousness
of his superiority above the rest of mankind; and he had a custom of
fiercely rolling his eyes, as if he wished to enjoy the terror which
he inspired. Yet this savage hero was not inaccessible to pity; his
suppliant enemies might confide in the assurance of peace or pardon; and
Attila was considered by his subjects as a just and indulgent master. He
delighted in war; but, after he had ascended the throne in a mature age,
his head, rather than his hand, achieved the conquest of the North; and
the fame of an adventurous soldier was usefully exchanged for that of
a prudent and successful general. The effects of personal valor are so
inconsiderable, except in poetry or romance, that victory, even among
Barbarians, must depend on the degree of skill with which the passions
of the multitude are combined and guided for the service of a single
man. The Scythian conquerors, Attila and Zingis, surpassed their rude
countrymen in art rather than in courage; and it may be observed that
the monarchies, both of the Huns and of the Moguls, were erected by
their founders on the basis of popular superstition The miraculous
conception, which fraud and credulity ascribed to the virgin-mother
of Zingis, raised him above the level of human nature; and the naked
prophet, who in the name of the Deity invested him with the empire of
the earth, pointed the valor of the Moguls with irresistible enthusiasm.
The religious arts of Attila were not less skillfully adapted to
the character of his age and country. It was natural enough that the
Scythians should adore, with peculiar devotion, the god of war; but as
they were incapable of forming either an abstract idea, or a corporeal
representation, they worshipped their tutelar deity under the symbol
of an iron cimeter. One of the shepherds of the Huns perceived, that a
heifer,