FREE BOOKS

Author's List




PREV.   NEXT  
|<   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189  
190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   >>   >|  
ned the Academies. For several weeks, when he first came to Paris, he had posed as a model. Sitting there before the students, glowing with shame and pride, his heart was defiant, and not one of the students, who modelled the fine bust and head, imagined how ardent his heart was or what an artist posed for them. Often he longed to seize a tool from inefficient hands and say, "Here, my children, like this, don't you see?" He learned much from the rare visits of the Master and his cursory, hasty criticism, but he welcomed the impersonal labour in the atelier of Barye, where he was not a student but a worker, mechanical supposedly, yet creative to his fingertips. And as he watched Barye work, admiring him profoundly, eager for the man's praise, crushing down his own individuality, careful to do nothing but the technical, mechanical things he was given to do there--before his hand grew tired, while his brain was fresh, he would plan and dream of what he would do in his own attic, and he went back as a thirsty man to a source. There came the dead season. Barye shut his atelier and went to Spain. There was nothing to do for Antony Fairfax and he was without any means of making his bread. After a few days of idleness, when his hands and feet were chilblained and he could hardly pass the cafes and restaurants, where the meals were cooking, without a tightening of the chest, he thought to himself, "Now is the time for the competition money to fall among us like a shower of gold"; but he had not heard one word from America or from Falutini, to whom the result was to have been written and who had Fairfax's address. Dearborn, in a pair of old tennis trousers, a shabby black velvet jacket, sat Turkish fashion on his divan, his writing tablet on his knees. For weeks past he had been writing a five-act play-- "Too hungry, Tony, by Jove, to go on. Every time I start to write, the lines of some old-time menu run across the page--Canards a la presse, Potage a la Reine. Just now it was only pie and yellow cheese, such as we have out in Cincinnati." Fairfax was breaking a mould. By common consent a fire had been built in the stove. Tony had taken advantage of the warm water to mix his plaster. Dearborn came over from his sofa. "I wouldn't care to have a barrel of plaster roll on those chilblains of mine, Tony. It's a toss up with us now, isn't it, which of us _can_ wear the boots?" Pinched and haggard, his hands in his pocke
PREV.   NEXT  
|<   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189  
190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   >>   >|  



Top keywords:

Fairfax

 

mechanical

 

plaster

 
atelier
 
Dearborn
 

writing

 
students
 

Turkish

 

Academies

 

fashion


hungry
 

jacket

 

tablet

 

Pinched

 

America

 
Falutini
 

shower

 

competition

 

result

 
trousers

shabby

 
tennis
 

haggard

 

written

 

address

 

velvet

 

breaking

 
common
 

consent

 

Cincinnati


yellow

 

cheese

 

barrel

 

advantage

 

wouldn

 

chilblains

 

Canards

 

presse

 

Potage

 

cursory


criticism

 

welcomed

 

Master

 

visits

 

learned

 

impersonal

 
labour
 

fingertips

 

watched

 

admiring