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ils may be trusted to arrange the entire distribution of scenes and roles. When their preliminary planning has been finished, they should hand to the teacher a schedule of scenes and participants. Whenever a play is read or studied, pupils will be attracted more by some passages than by others. A teacher may dispense with all assignments. The pupils could be directed merely to arrange their own groups, choose the scenes they want to offer, and to prepare as they decide. In such a voluntary association some members of the class might be uninvited to speak with any group. These then might find their material in prologue, epilogue, chorus, soliloquy, or inserted songs. Nearly every play contains long passages requiring for their effect no second speaker. Shakespeare's plays contain much such material. All the songs from a play would constitute a delightful offering. Nothing in all the acted portion of _Henry V_ is any better than the stirring speeches of the Chorus. _Hamlet_ has three great soliloquies for boys. _Macbeth_ contains the sleepwalking scene for girls. Milton's _Comus_ is made up of beautiful poetic passages. Every drama studied or read for school contains enough for every member of a class. Some pupils may object that unless an exact preliminary assignment is made, two or more groups may choose the same scene. Such a probable happening, far from being a disadvantage to be avoided, is a decided advantage worthy of being purposely attempted. Could anything be more stimulating than to see and hear two different casts interpret a dramatic situation? Each would try to do better than the other. Each would be different in places. From a comparison the audience and performers would have all the more light thrown upon what they considered quite familiar. It would be a mistake to have five quartettes repeat the same scene over and over again. Yet if twenty pupils had unconsciously so chosen, three presentations might be offered for discriminating observation. Then some other portion could be inserted and later the first scene could be gone through twice. Assigning Roles. Teacher and pupils should endeavor to secure variety of interest in roles. At first, assignments are likely to be determined by apparent fitness. The quiet boy is not required to play the part of the braggart. The retiring girl is not expected to impersonate the shrew. In one or two appearances it may be a good thing to keep in mind natural ap
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