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y, the ancient Bailieries of Carrick, Kyle, and Cunningham, famous both in ancient and modern times for a gallant and warlike race of inhabitants; a country where civil and particularly religious liberty have ever found their first support and their last asylum, a country the birthplace of many famous philosophers, soldiers, and statesmen, and the scene of many important events in Scottish history, particularly a great many of the actions of the glorious Wallace, the saviour of his country; yet we have never had one Scottish poet of any eminence to make the fertile banks of Irvine, the romantic woodlands and sequestered scenes of Aire, and the heathy mountainous source and winding sweep of Doon, emulate Tay, Forth, Ettrick, Tweed, etc. This is a complaint I would gladly remedy; but, alas! I am far unequal to the task, both in native genius and education. Obscure I am, and obscure I must be, though no young poet nor young soldier's heart ever beat more fondly for fame than mine.' The same thoughts and aspirations are echoed later in his _Epistle to William Simpson_-- 'Ramsay and famous Fergusson Gied Forth and Tay a lift aboon; Yarrow and Tweed, to mony a tune, Owre Scotland rings, While Irwin, Lugar, Ayr, and Doon, Naebody sings. * * * * * We'll gar our streams and burnies shine Up wi' the best!' The dread of obscurity spoken of here was almost a weakness with Burns. We hear it like an ever-recurring wail in his poems and letters. In the very next entry in his commonplace book, after praising the old bards, and drawing a parallel between their sources of inspiration and his own, he shudders to think that his fate may be such as theirs. 'Oh mortifying to a bard's vanity, their very names are buried in the wreck of things that were!' Close on the heels of these entries came troubles on the head of the luckless poet, troubles more serious than bad seed and late harvests. During the summer of 1784, we know that he was in bad health, and again subject to melancholy. His verses at this time are of a religious cast, serious and sombre, the confession of fault, and the cry of repentance. 'Thou know'st that Thou hast formed me With passions wild and strong; And listening to their witching voice Has often led me wrong.' Perhaps this is only the prelude to his verses to Rankine, written tow
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