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the sea roaring in the wings. But our plot deals stubbornly with us. Alas, our pirates grow old and stiff. They have retired, as we say, from active practice and live in easy luxury on shore. Yet we shall see that their villany still thrives._ _How shall we select a name for our frightful play? There is a wharf in London that is known as Wapping. In these days that we call the present it has sunk to common use and its rotten timbers are piled with honest unromantic merchandise. But once a gibbet stood on Wapping Wharf, and pirates were hanged upon it. It was the first convenient harborage for inbound ships to dispose of this dirty deep-sea cargo. So it was the somber motif of a pirate's life--his moment of reflection after he had slit his victim's throat._ _Tonight, although your beards grow long and Time has marked its net of wrinkles--tonight, the years spin backwards. Only the young in heart will catch the slender meaning of our play._ _We are too quick to think that childhood passes with the years--that its fine fancy is blunted with the practice of the world. Too long have we been taught that the clouds of glory fade in the common day. If a man permits, a child keeps house within his heart._ _Our prologue outstays its time. Already the captain of our pirates puts on his hook. The evil Duke limps for practice on his wooden leg. Presently our curtain will rise. We shall see the pirates' cabin, with the lighthouse in the distance, Flint's lantern and the ladder to the sleeping-loft. We shall hear a storm unparalleled--thunder, lightning and a rush of wind, if it can be managed._ _Then our candles burn to socket. Our pasteboard cabin grows dark. The blustering ocean, the dizzy cliffs of Devon, melt like an unsubstantial pageant. Once again, despite the signpost of the years, we have run on the "laughing avenues of childhood."_ [Illustration] BY WAY OF EXPLANATION Several weeks ago an actor-manager requested me to try my hand at a play for the winter season. The offer was unexpected. "My dear sir," I said, "I am immensely flattered, but I have never written a play." Then I hastened to ask, "What kind of play?" for fear the offer might be withdrawn. He replied with sureness and decision. "I want a play," he said, "with lots of pirates and--no poetry." He stressed this with emphatic gesture. "And at least one shooting," he added. It was a slim prescription. He left me to brood upon the matter.
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