et-de-chambre laid up with the mumps, and the cook
short-handed--till finally the irrepressible grandmother broke out: "A
young girl who chooses to live alone--probably prefers to live alone!"

There was a deadly silence, and Jean did not raise the question again;
but I can imagine his blue eyes getting obstinate.

Soon after Mlle. Malo's return to Paris he followed her and began to
frequent the Passy studio. The life there was unlike anything he had
ever seen--or conceived as possible, short of the prairies. He had
sampled the usual varieties of French womankind, and explored most
of the social layers; but he had missed the newest, that of the
artistic-emancipated. I don't know much about that set myself, but from
his descriptions I should say they were a good deal like intelligent
Americans, except that they don't seem to keep art and life in such
water-tight compartments. But his great discovery was the new girl.
Apparently he had never before known any but the traditional type, which
predominates in the provinces, and still persists, he tells me, in the
last fastnesses of the Faubourg St. Germain. The girl who comes and goes
as she pleases, reads what she likes, has opinions about what she reads,
who talks, looks, behaves with the independence of a married woman--and
yet has kept the Diana-freshness--think how she must have shaken up
such a man's inherited view of things! Mlle. Malo did far more than make
Rechamp fall in love with her: she turned his world topsy-turvey,
and prevented his ever again squeezing himself into his little old
pigeon-hole of prejudices.

Before long they confessed their love--just like any young couple of
Anglo-Saxons--and Jean went down to Rechamp to ask permission to marry
her. Neither you nor I can quite enter into the state of mind of a young
man of twenty-seven who has knocked about all over the globe, and
been in and out of the usual sentimental coils--and who has to ask his
parents' leave to get married! Don't let us try: it's no use. We should
only end by picturing him as an incorrigible ninny. But there isn't a
man in France who wouldn't feel it his duty to take that step, as Jean
de Rechamp did. All we can do is to accept the premise and pass on.

Well--Jean went down and asked his father and his mother and his old
grandmother if they would permit him to marry Mlle. Malo; and they all
with one voice said they wouldn't. There was an uproar, in fact; and the
old grandmother contr