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n, 144. offensive, how conducted, 16. offensive, to reclaim rights, 16. of expediency, 18. kinds of, 18. of extermination, 34. of intervention, 19. of intervention, essentials in wars of, 21. of intervention, military chances in, 20. of invasion, when advantageous, 17. of opinion, 25. of opinion, character of, 26. of opinion, instances of, 25. of opinion, military precepts for, 27. of position, system of, 135. of religion, 35. of sieges, 146. political, 26. political part of, how modified, 17. Punic, 363, 364. Turkish, squares in, 296, 297. when most just, 16. with or without allies, 18. Waterloo, 127, 183, 206, 295, 303-306, 354. Bluecher at, 130. campaign of, 129, 130. English squares at, 294 formations at, 351. French at, 196. Napoleon's order of battle at, 198. Ney at, 182,183. strategic lines at, 130. Wellington's position at, 181, 388. Wellington, 181, 185, 353, 357, 358, 381, 382, 384, 385. and Bluecher at Waterloo, 127, 130. at Salamanca, 206. at Torres-Vedras, 83. defensive-offensive operations of, 74. Wellington's position at Waterloo, 181. Weyrother, 205, 206. William the Conqueror, 370, 371. Winkelried, column of, 194. Winter campaigns, 68. quarters, countries adapted to, 246. quarters, when dangerous, 247. quarters, when strategic, 97. Woods, importance of possession of, 303. Wurmser at Mantua, 156. eccentric retreat of, in 1796, 238. error of, 111. X. Xerxes, 173. army of, 362. Z. Zama, battle of, 364. Zimisces, 368. Zone of operations, 66, 100, 338. of operations, how to select, 329. of operations in 1813, 101. Zones of operations in the French Revolution, 105. Zurich, defeat of the allies at, 112. End of the Project Gutenberg EBook of The Art of War, by Baron Henri de Jomini *** END OF THIS PROJECT GUTENBERG EBOOK THE ART OF WAR *** ***** This file should be named 13549.txt or 13549.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/3/5/4/13549/ Produced by Suzanne Shell, Stephen Schulze and the Online Distributed Proofreaders Team Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundatio
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