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artist make small appeal to them; the world they live in is a sharply defined and clearly lighted and rather limited place. They like to say to this man come and he cometh, and to that man go and he goeth. They are enamored of offices, typewriters, telegrams, long-distance messages, secretaries, programs, conferences and drives. Getting results is their goal; everything is judged by the criterion of effective action; they are instinctive and unconscious pragmatists. They make good cheer leaders at football games in their youth and impressive captains of industry in their old age. Their virtues are wholesome, if obvious; they are good mixers, have shrewd judgment, immense physical and volitional energy. They understand that two and two make four. They are rarely saints but, unlike many of us who once had the capacity for sainthood, they are not dreadful sinners. They are the tribe of which politicians are born but, when they are blended with imaginative and spiritual gifts, they become philanthropists and statesmen, practical servants of mankind. They make good, if conservative, citizens; kind, if uninspiring, husbands and deplorable preachers. Then there are those fascinating men of feeling and imagination, those who look into their own hearts and write, those to whom the inner dominions which the spirit conquers for itself become a thousand-fold more real than the earth whereon they stamp their feet. These are the literary or the creative folk. Their passion is not so much to know life as to enjoy it; not to direct it, but to experience it; not even to make understanding of it an end, but only a means to interpreting it. They do not, as a rule, thirst for erudition, and they are indifferent to those manipulations of the externals of life which are dear to the lovers of executive power. They know less but they understand more than their scholastic brethren. As a class they are sometimes disreputable but nearly always unworldly; more distinguished by an intuitive and childlike than by an ingenious or sophisticated quality of mind. Ideas and facts are perceived by them not abstractly nor practically, but in their typical or symbolic, hence their pictorial and transmissible, aspects. They read dogma, whether theological or other, in the terms of a living process, unconsciously translating it, as they go along, out of its cold propositions into its appropriate forms of feeling and needs and satisfactions. The scientist,
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