parison with the
standard writings; and with as much effort as if the indications of
forgery were not present. To make these features positive evidence,
each other developed detail must also tend to the same deduction, and
each detail must be compatible with every other feature, and all point
to the same conclusion.
As forgers differ in their capability as to accuracy in simulation,
all grades of its proficiency come up in the experience of those who,
as experts, are called upon to make such matters a study. At one
extreme will be found to occur signatures written with but little
effort to imitate the genuine signature they purport to represent;
with all the intermediate grades of imitation extending to the other
extreme, wherein a skilful forger will, by practice, so simulate the
signature of a person and with such close resemblance that the very
individual whose name is imitated cannot, independently of attending
circumstances, tell the forgery from the signature which he knows he
has written.
Among the most common forgeries of signatures are those which have
been traced from genuine ones, and these are produced in various ways;
the most common method being to place the genuine signature over a
plate of glass horizontally arranged, with a strong light behind it,
or against the window frame, and then to place over the signature so
positioned the paper on which the forgery is to be made. When this has
been done the papers are held in contact firmly, the pen is dipped-in
ink and moved over the paper, guided by the lines of the genuine
signature beneath, which show through the superimposed paper, and by
means of which the form of the signature is transferred to the paper,
which is exteriorly placed.
While the process of tracing produces very nearly the proper form of
the matter thus copied, and if well done by the forger the copy will
in general appearance and to a certain extent resemble in outline the
signature thus traced, there are usually apparent in all reproduced
signatures thus made, peculiarities and ear marks indicating the
manner in which they were produced and by which they can be identified
as such.
One of the most prominent features of reproduced signatures is the
general sameness of the writing as appearing in the uniform width of
the lines, and the omission of the usual shading emphasis. The cause
of this appearance is the absence of habitual pen pressure, and the
necessitated slow movement of th
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