iv. 22, n. 3;
the Duchess prints _Edwin and Angelina_, ii. 337, n. 1;
novelty, i. 441, n. 1;
Padua, at, i. 73, n. 2;
Paoli's, dines at, ii. 220;
paradox, affectation of, i. 4l7;
'three paradoxes,' iii. 376, n. 1;
_Parnell, Life of_, ii. 166;
partiality of his friends against him, iii. 252;
pen in and out of his hand, iv. 29;
pensions to French authors, i. 372, n. 1;
Percy's account of him, i. 413, n. 2;
quarrel with him, iii. 276, n. 2;
'pleasure of being liked,' i. 412, n. 6;
Pope's lines on Addison, ii. 85;
'strain of pride,' iii. 165, n. 3;
powers, did not know his own, i. 213, n. 4;
public make a _point_ to know nothing of his writings, iii. 252;
religion, takes his from the priest, ii. 214;
_Retaliation_, passages quoted:
Attorneys, ii. 126, n. 4;
Burke, i. 472; iii. 233, n. 1; iv. 318;
Burke, William, v. 76, n. 3;
Douglas, Dr., i. 229, n. 1;
Garrick, i. 202, n. 4;
his lines on Goldsmith, i. 412, n. 6;
Lauder, i. 229, n. 1;
'pepper the highest,' iv. 341, n. 6;
Townshend, Tommy, iv. 318-9;
shown to Burke and Mrs. Cholmondeley, iii. 318, n. 3;
reviewers, ii. 39, n. 4;
Reynolds's explanation of his absurdities, i. 412, n. 6;
his envy, i. 4l3, n. 3;
Robinhood Society, iv. 92, n. 5;
round of pleasures, ii. 274, n. 3;
Royal Academy Professor, ii, 67, n. 1;
Royal Academy dinner, iii. 51, n. 2; iv. 314, n. 3;
Sappho in Ovid, ii. 181;
Savage, compared with, ii. 281, n. 1;
Scotch inns, v. 146, n. 1;
scrupulous, not, i. 213, n. 4;
servitorships, v. 122, n. 1;
settled system, no, i. 414;
or notions, iii. 252;
_She Stoops to Conquer_, copyright of it, iii. 100, n. 1;
dedicated to Johnson, ii. 1, n. 2, 216;
Dedication, ib. n. 3;
dinner on the day of its first performance, iv. 325;
Duke of Gloucester's marriage, ii. 224;
Farquhar copied, v. 133, n. 1;
finding out the longitude, i. 301, n. 3;
ill success predicted, ii. 208;
Johnson's opinion, ii. 205, 208, 233;
naming it, ii. 205, n. 4, 258;
Northcote's account of it to Goldsmith, ii. 233, n. 3;
performed during a Court mourning, iv. 325;
_Rambler_, borrowed from, i. 213, n. 5;
song for Miss Hardcastle, ii. 219;
success on the stage, ii. 208, n. 5;
Tony Lumpkin's song, ii. 219;
Walpole's criticism, ii. 233, n. 3;
Shelburne and Malagrida, iv. 174;
_shine_, eager to, i. 4