reek
Zeus.]
[Footnote 568: e.g. _de Off._ iii. 28; _de Nat. Deor._ i. 116.]
[Footnote 569: Glover, _Studies in Virgil_, p. 275.]
[Footnote 570: It is interesting to note that in the religious revival
of Augustus Jupiter by no means has a leading place. See Carter,
_Religion of Numa_, p. 160, where, however, the attitude of Augustus
towards the great god is perhaps over-emphasised. On the relation of
Virgil's Jupiter to Fate, see E. Norden, _Virgils epische Technik_, p.
286 foll. Seneca, it is worth noting, never mentions Jupiter as the
centre of the Stoic Pantheon.--Dill, _Roman Society from Nero to M.
Aurelius_, p. 331.]
[Footnote 571: See an article by the author in _Hibbert Journal_, July
1907, p. 847.]
[Footnote 572: Plut. _Sulla_, 6.]
[Footnote 573: Valerius Maximus ii. 3.]
[Footnote 574: _de Div_. i. 32. 68.]
[Footnote 575: Plut. _Brutus_, 36, 37.]
[Footnote 576: Sall. _Cat._ 51; Cic. _Cat._ iv. 4. 7.]
[Footnote 577: Cic. _de Rep._ iv. 24.]
[Footnote 578: Reid, _The Academics of Cicero_, Introduction, p. 18.]
[Footnote 579: _ad Att._ xii. 36.]
[Footnote 580: ad Att. xii. 37.]
[Footnote 581: Suetonius, _Jul_. 88. See E. Kornemann in _Klio_, vol.
i. p. 95.]
[Footnote 582: We do not know exactly when this preface was written.
Prefaces are now composed, as a rule, when a work is finished: but
this does not seem to have been the practice in antiquity, and
internal evidence is here strongly in favour of an early date.]
[Footnote 583: _Epode_ 16. 54; cp. 30 foll.]
[Footnote 584: Sir W.M. Ramsay, quoted in _Virgil's Messianic
Eclogue_, p. 54.]
[Footnote 585: Dr. J.B. Mayor, in _Virgil's Messianic Eclogue_, p. 118
foll.]
End of the Project Gutenberg EBook of Social life at Rome in the Age of
Cicero, by W. Warde Fowler
*** END OF THIS PROJECT GUTENBERG EBOOK SOCIAL LIFE AT ROME ***
***** This file should be named 11256.txt or 11256.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.net/1/1/2/5/11256/
Produced by Ted Garvin, Nicolas Hayes and PG Distributed Proofreaders
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Specia
|