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reek Zeus.] [Footnote 568: e.g. _de Off._ iii. 28; _de Nat. Deor._ i. 116.] [Footnote 569: Glover, _Studies in Virgil_, p. 275.] [Footnote 570: It is interesting to note that in the religious revival of Augustus Jupiter by no means has a leading place. See Carter, _Religion of Numa_, p. 160, where, however, the attitude of Augustus towards the great god is perhaps over-emphasised. On the relation of Virgil's Jupiter to Fate, see E. Norden, _Virgils epische Technik_, p. 286 foll. Seneca, it is worth noting, never mentions Jupiter as the centre of the Stoic Pantheon.--Dill, _Roman Society from Nero to M. Aurelius_, p. 331.] [Footnote 571: See an article by the author in _Hibbert Journal_, July 1907, p. 847.] [Footnote 572: Plut. _Sulla_, 6.] [Footnote 573: Valerius Maximus ii. 3.] [Footnote 574: _de Div_. i. 32. 68.] [Footnote 575: Plut. _Brutus_, 36, 37.] [Footnote 576: Sall. _Cat._ 51; Cic. _Cat._ iv. 4. 7.] [Footnote 577: Cic. _de Rep._ iv. 24.] [Footnote 578: Reid, _The Academics of Cicero_, Introduction, p. 18.] [Footnote 579: _ad Att._ xii. 36.] [Footnote 580: ad Att. xii. 37.] [Footnote 581: Suetonius, _Jul_. 88. See E. Kornemann in _Klio_, vol. i. p. 95.] [Footnote 582: We do not know exactly when this preface was written. Prefaces are now composed, as a rule, when a work is finished: but this does not seem to have been the practice in antiquity, and internal evidence is here strongly in favour of an early date.] [Footnote 583: _Epode_ 16. 54; cp. 30 foll.] [Footnote 584: Sir W.M. Ramsay, quoted in _Virgil's Messianic Eclogue_, p. 54.] [Footnote 585: Dr. J.B. Mayor, in _Virgil's Messianic Eclogue_, p. 118 foll.] End of the Project Gutenberg EBook of Social life at Rome in the Age of Cicero, by W. Warde Fowler *** END OF THIS PROJECT GUTENBERG EBOOK SOCIAL LIFE AT ROME *** ***** This file should be named 11256.txt or 11256.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/2/5/11256/ Produced by Ted Garvin, Nicolas Hayes and PG Distributed Proofreaders Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Specia
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