FREE BOOKS

Author's List




PREV.   NEXT  
|<   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96  
97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   >>   >|  
ingle definite idea, more especially when these things are brought into the very sanctuary itself, with stole and cope and every apparent endeavour to fix the responsibility on the Universal Church. But if the Church is willing to go in rags to save those who are in rags, she is only using her invariable economy. We know well the sort of robe that befits her dignity, and no doubt it is this contrast that makes the trial of her present humiliation more difficult for us to bear. We do not for a moment allow that the difference between bad taste and good is merely relative, or that a language or art which is externally vulgar can ever be the adequate and appropriate expression of the Catholic religion, whose tendency when unimpeded is ever to refine and purify. But it is perhaps another narrowness to suppose that a reform can only be effected by a return to the past, to mediaeval symbolism and music and architecture. No effort of the kind has ever met with more than seeming success. What is consciously imitated from the past is not the same as that natural growth which it imitates, and which was as congenial to those days as it is uncongenial to ours. It is all the difference between the Mass ceremonial in a Ritualist church and in a Catholic church--the historical sense is violated in one case and satisfied in the other. What is once really dead can never revive in the same form--at best we get a cast from the dead face. No doubt the old music and the old symbolism always will have a beauty of antiquity that can never belong to the new; but it was not this beauty--the beauty of death, of autumn leaves, that made them once popular, but the beauty of fresh green life and flexibility. The effort to make antiquity popular is almost a contradiction in terms. What we may hope for at most is an improvement in the aesthetic tastes of the Catholic public which comes from freer and healthier surroundings, from saner ideas and wider opportunities of education and liberal culture. When they begin to speak a richer language, the Church will take that language and find in it a fuller expression of her mind than she can in the present _patois_; she will be able again to say to them in other words, as yet unknown, what she said to the middle ages in Gregorian chaunt and Gothic cathedral. She, who in virtue of her Pentecostal gift of tongues, speaks in sundry times and divers manners, may in due season find words as eloquent of her hea
PREV.   NEXT  
|<   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96  
97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   >>   >|  



Top keywords:

beauty

 
language
 
Church
 

Catholic

 
present
 
difference
 
effort
 

popular

 

symbolism

 

antiquity


church
 

expression

 

flexibility

 

contradiction

 
belong
 
revive
 

leaves

 

autumn

 

chaunt

 
Gregorian

Gothic
 

cathedral

 

middle

 

unknown

 
virtue
 

Pentecostal

 

manners

 
season
 

eloquent

 
divers

tongues
 

speaks

 

sundry

 

surroundings

 

healthier

 
satisfied
 

improvement

 

aesthetic

 

tastes

 
public

opportunities

 

education

 

richer

 

fuller

 
patois
 

liberal

 

culture

 
success
 

befits

 

dignity