stments
stirred, and as if the marble figures they covered raised their
heads higher, to gaze upon the brightly colored glowing altar where
the white-robed boys swung the golden censers, amid music and song,
while the strong fragrance of incense filled the church, and
streamed forth into the square. The boy stretched forth his hands
towards the light, and at the same moment the Metal Pig started
again so rapidly that he was obliged to cling tightly to him. The wind
whistled in his ears, he heard the church door creak on its hinges
as it closed, and it seemed to him as if he had lost his senses--then
a cold shudder passed over him, and he awoke.
It was morning; the Metal Pig stood in its old place on the
Porta Rosa, and the boy found he had slipped nearly off its back. Fear
and trembling came upon him as he thought of his mother; she had
sent him out the day before to get some money, he had not done so, and
now he was hungry and thirsty. Once more he clasped the neck of his
metal horse, kissed its nose, and nodded farewell to it. Then he
wandered away into one of the narrowest streets, where there was
scarcely room for a loaded donkey to pass. A great iron-bound door
stood ajar; he passed through, and climbed up a brick staircase,
with dirty walls and a rope for a balustrade, till he came to an
open gallery hung with rags. From here a flight of steps led down to a
court, where from a well water was drawn up by iron rollers to the
different stories of the house, and where the water-buckets hung
side by side. Sometimes the roller and the bucket danced in the air,
splashing the water all over the court. Another broken-down
staircase led from the gallery, and two Russian sailors running down
it almost upset the poor boy. They were coming from their nightly
carousal. A woman not very young, with an unpleasant face and a
quantity of black hair, followed them. "What have you brought home?"
she asked, when she saw the boy.
"Don't be angry," he pleaded; "I received nothing, I have
nothing at all;" and he seized his mother's dress and would have
kissed it. Then they went into a little room. I need not describe
it, but only say that there stood in it an earthen pot with handles,
made for holding fire, which in Italy is called a marito. This pot she
took in her lap, warmed her fingers, and pushed the boy with her
elbow.
"Certainly you must have some money," she said. The boy began to
cry, and then she struck him with her foo
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