ave made journeys, like the bronze horse in the fairy tale:
they have come hither, and gone hence, and have returned again. Do you
notice the variegated splendour of the walls and windows? It looks
as if Genius had followed the caprices of a child, in the adornment of
these singular temples. Do you see the winged lion on the pillar?
The gold glitters still, but his wings are tied--the lion is dead, for
the king of the sea is dead; the great halls stand desolate, and where
gorgeous paintings hung of yore, the naked wall now peers through. The
lazzarone sleeps under the arcade, whose pavement in old times was
to be trodden only by the feet of high nobility. From the deep
wells, and perhaps from the prisons by the Bridge of Sighs, rise the
accents of woe, as at the time when the tambourine was heard in the
gay gondolas, and the golden ring was cast from the Bucentaur to
Adria, the queen of the seas. Adria! shroud thyself in mists; let
the veil of thy widowhood shroud thy form, and clothe in the weeds
of woe the mausoleum of thy bridegroom--the marble, spectral Venice."
EIGHTEENTH EVENING
"I looked down upon a great theatre," said the Moon. "The house
was crowded, for a new actor was to make his first appearance that
night. My rays glided over a little window in the wall, and I saw a
painted face with the forehead pressed against the panes. It was the
hero of the evening. The knighly beard curled crisply about the
chin; but there were tears in the man's eyes, for he had been hissed
off, and indeed with reason. The poor Incapable! But Incapables cannot
be admitted into the empire of Art. He had deep feeling, and loved his
art enthusiastically, but the art loved not him. The prompter's bell
sounded; 'the hero enters with a determined air,' so ran the stage
direction in his part, and he had to appear before an audience who
turned him into ridicule. When the piece was over, I saw a form
wrapped in a mantle, creeping down the steps: it was the vanquished
knight of the evening. The scene-shifters whispered to one another,
and I followed the poor fellow home to his room. To hang one's self is
to die a mean death, and poison is not always at hand, I know; but
he thought of both. I saw how he looked at his pale face in the glass,
with eyes half closed, to see if he should look well as a corpse. A
man may be very unhappy, and yet exceedingly affected. He thought of
death, of suicide; I believe he pitied himself, for he wept
bit
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