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d which to us best recalls such gigantesque idiocy is the word "mafficking." The slaves of that saturnalia were not only painting the town red; they thought that they were painting the map red--that they were painting the world red. But, indeed, this Imperial debauch has in it something worse than the mere larkiness which is my present topic; it has an element of real self-flattery and of sin. The Jingo who wants to admire himself is worse than the blackguard who only wants to enjoy himself. In a very old ninth-century illumination which I have seen, depicting the war of the rebel angels in heaven, Satan is represented as distributing to his followers peacock feathers--the symbols of an evil pride. Satan also distributed peacock feathers to his followers on Mafeking Night... But taking the case of ordinary pagan recklessness and pleasure seeking, it is, as we have said, well expressed in this image. First, because it conveys this notion of filling the world with one private folly; and secondly, because of the profound idea involved in the choice of colour. Red is the most joyful and dreadful thing in the physical universe; it is the fiercest note, it is the highest light, it is the place where the walls of this world of ours wear thinnest and something beyond burns through. It glows in the blood which sustains and in the fire which destroys us, in the roses of our romance and in the awful cup of our religion. It stands for all passionate happiness, as in faith or in first love. Now, the profligate is he who wishes to spread this crimson of conscious joy over everything; to have excitement at every moment; to paint everything red. He bursts a thousand barrels of wine to incarnadine the streets; and sometimes (in his last madness) he will butcher beasts and men to dip his gigantic brushes in their blood. For it marks the sacredness of red in nature, that it is secret even when it is ubiquitous, like blood in the human body, which is omnipresent, yet invisible. As long as blood lives it is hidden; it is only dead blood that we see. But the earlier parts of the rake's progress are very natural and amusing. Painting the town red is a delightful thing until it is done. It would be splendid to see the cross of St. Paul's as red as the cross of St. George, and the gallons of red paint running down the dome or dripping from the Nelson Column. But when it is done, when you have painted the town red, an extraordinary thing happ
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