ns, the latter
showing plainly over the edge. (If Columbine uses practical
macaroons, put them into this bowl.)
Near Columbine, place a practical uncooked artichoke; have this of
good size, and nail it to a wooden standard, painted black. At both
places there are tall white wooden goblets.
In the centre of the table there should be a curious, grotesque, but
very gay flower, standing upright in a pot of wood or heavy paper,
which will not break when Thyrsis drops it. Concealed at the root of
this plant there should be a small sack of black confetti, to be
used in the "poison scene."
The table should be set with nothing but these articles, and yet
give the appearance of bounty and elegance.
Place the table parallel with the footlights,--the long side toward
the audience.
Columbine's chair is at the actors' right, and Pierrot's
opposite--Columbine's hat hangs from her chair-top. Both chairs are
festooned with tissue-paper ribbons, at least ten feet long, to be
used later by the shepherds to represent their wall. These must be
of such a texture as to break readily when Corydon walks through,
and a prearranged transverse tear or two will assist in the prompt
breakage when he does so.
PROPERTIES:
Two white wooden bowls, one filled with fruits and the other with
confetti and paper ribbons,--one ribbon to be of cotton or silk, in
order to be not too easily broken by Corydon when strangling Thyrsis
Two tall white wooden goblets
One artichoke nailed to a standard
One flower in paper or wooden pot, the root wrapped with black crepe
paper (or use confetti)
Black and white tablecloth
Macaroons
Boots and prompt-book for Cothurnus (large flat black book)
Also, if desired, mask of Tragedy for Cothurnus
Crepe or tissue streamers of different colors, including no red or
blue, for wall.
COSTUMES:
PIERROT: Lavender or lilac satin, preferably a blue-lavender. Care
should be taken that the lavender does not turn pink under the stage
lights. Pierrot's costume is the conventional smock with wide
trousers, with black crepe paper rosettes on the smock, wide white
tarleton ruff. Black evening pumps with black rosettes may be worn.
Black silk skull-cap.
COLUMBINE: Tight black satin bodice cut very low, with straps over
the shoulders, quite like the modern evening gown; very full
tarleton skirts of different shades of pink and cerise, reaching to
the knees; ruffled bloomers of apple-green tarleton, the
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