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embroidery. At one end, over a gas stove, stood porcelain pots, decorated with circles of brass, and containing punch and hot wine. At the other extremity was a tall and richly sculptured marble fountain, from which a fine stream of water, so steady and continuous that it looked as though it were motionless, flowed into a basin. In the centre, edged on three sides by the sloping zinc surface of the counter, was a second basin for rinsing and cooling purposes, where quart bottles of draught wine, partially empty, reared their greenish necks. Then on the counter, to the right and left of this central basin, were batches of glasses symmetrically arranged: little glasses for brandy, thick tumblers for draught wine, cup glasses for brandied fruits, glasses for absinthe, glass mugs for beer, and tall goblets, all turned upside down and reflecting the glitter of the counter. On the left, moreover, was a metal urn, serving as a receptacle for gratuities; whilst a similar one on the right bristled with a fan-like arrangement of coffee spoons. Monsieur Lebigre was generally to be found enthroned behind his counter upon a seat covered with buttoned crimson leather. Within easy reach of his hand were the liqueurs in cut-glass decanters protruding from the compartments of a stand. His round back rested against a huge mirror which completely filled the panel behind him; across it ran two glass shelves supporting an array of jars and bottles. Upon one of them the glass jars of preserved fruits, cherries, plums, and peaches, stood out darkly; while on the other, between symmetrically arranged packets of finger biscuits, were bright flasks of soft green and red and yellow glass, suggesting strange mysterious liqueurs, or floral extracts of exquisite limpidity. Standing on the glass shelf in the white glow of the mirror, these flasks, flashing as if on fire, seemed to be suspended in the air. To give his premises the appearance of a cafe, Monsieur Lebigre had placed two small tables of bronzed iron and four chairs against the wall, in front of the counter. A chandelier with five lights and frosted globes hung down from the ceiling. On the left was a round gilt timepiece, above a _tourniquet_[*] fixed to the wall. Then at the far end came the private "cabinet," a corner of the shop shut off by a partition glazed with frosted glass of a small square pattern. In the daytime this little room received a dim light from a window that looked
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