nd shape and
colour which are the prison gates of our soul, an image of the beauty
we have come to understand--that is art.
They had reached the canal bridge and, turning from their course, went
on by the trees. A crude grey light, mirrored in the sluggish water and
a smell of wet branches over their heads seemed to war against the
course of Stephen's thought.
--But you have not answered my question, said Lynch. What is art? What
is the beauty it expresses?
--That was the first definition I gave you, you sleepy-headed wretch,
said Stephen, when I began to try to think out the matter for myself.
Do you remember the night? Cranly lost his temper and began to talk
about Wicklow bacon.
--I remember, said Lynch. He told us about them flaming fat devils of
pigs.
--Art, said Stephen, is the human disposition of sensible or
intelligible matter for an esthetic end. You remember the pigs and
forget that. You are a distressing pair, you and Cranly.
Lynch made a grimace at the raw grey sky and said:
--If I am to listen to your esthetic philosophy give me at least
another cigarette. I don't care about it. I don't even care about
women. Damn you and damn everything. I want a job of five hundred a
year. You can't get me one.
Stephen handed him the packet of cigarettes. Lynch took the last one
that remained, saying simply:
--Proceed!
--Aquinas, said Stephen, says that is beautiful the apprehension of
which pleases.
Lynch nodded.
--I remember that, he said, PULCRA SUNT QUAE VISA PLACENT.
--He uses the word VISA, said Stephen, to cover esthetic apprehensions of
all kinds, whether through sight or hearing or through any other avenue of
apprehension. This word, though it is vague, is clear enough to keep
away good and evil which excite desire and loathing. It means certainly
a stasis and not a kinesis. How about the true? It produces also a
stasis of the mind. You would not write your name in pencil across the
hypotenuse of a right-angled triangle.
--No, said Lynch, give me the hypotenuse of the Venus of Praxiteles.
--Static therefore, said Stephen. Plato, I believe, said that beauty
is the splendour of truth. I don't think that it has a meaning, but the
true and the beautiful are akin. Truth is beheld by the intellect which
is appeased by the most satisfying relations of the intelligible;
beauty is beheld by the imagination which is appeased by the most
satisfying relations of the sensible. The first st
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